Blog Posts for International

Thank you to the many people who have been blog contributors to, and readers of ArtsBlog over the years. ArtsBlog has long been a space where we uplifted stories from the field that demonstrated how the arts strengthen our communities socially, educationally, and economically; where trends and issues and controversies were called out; and advocacy tools were provided to help you make the case for more arts funding and favorable arts policies.

As part of Americans for the Arts’ recent Strategic Realignment Process, we were asked to evaluate our storytelling communications platforms and evolve the way we share content. As a result, we launched the Designing Our Destiny portal to explore new ways of telling stories and sharing information, one that is consistent with our longtime practice of, “No numbers without a story, and no stories without a number.”

As we put our energy into developing this platform and reevaluate our communications strategies, we have put ArtsBlog on hold. That is, you can read past blog posts, but we are not posting new ones. You can look to the Designing Our Destiny portal and our news items feed on the Americans for the Arts website for stories you would have seen in ArtsBlog in the past.

ArtsBlog will remain online through this year as we determine the best way to archive this valuable resource and the knowledge you’ve shared here.

As ever, we are grateful for your participation in ArtsBlog and thank you for your work in advancing the arts. It is important, and you are important for doing it.

There's No Such Thing as a Worry-Free Photocopy in this Library!

Date of Publication (formatted): 
October, 2000
Summary: 

This article does not really address copyright law relevant to arts organization or artists, but is an interesting look at Canadian libraries and demonstrates the dramatic differences that exist even between common law countries. For example, in the , <EM>fair use</EM> (most simply, nonprofit use is fair use) is practiced. However, in Canada, United Kingdom and Australia, the operative concept is <EM>fair dealing</EM>. That is, most simply, all reproduction is copyright infringement except for a very few and very narrowly defined exceptions.

Money for International Exchange in the Arts: Creative Opportunities for Artists and Arts Organizations

Date of Publication (formatted): 
December, 1991
Summary: 

This 1992 book lists financial resources for international arts excange programs, residencies, and other international arts programs. This book also provides a brief history of financial support for international art exchange.

A Manifesto for the Arts

Date of Publication (formatted): 
December, 1989
Summary: 

There has never been such a range of arts and heritage activities available to such a diversity of people in Britain. That is the achievement of forty-five years of state support. Throughout the country there are more galleries, museums, professional orchestras and opera companies than ever before. The number of international-class creators and performers that Britain can boast matches all other European countries, a claim that would have been difficult to sustain at any time since the age of Shakespeare, Tallis and Inigo Jones.

Local Authorities and the Arts in the United Kingdom: The Development of Policy-Specific Evaluative Indicators

Date of Publication (formatted): 
December, 1996
Summary: 

The use of evaluative indicators has spread over a number of years from the field of economic performance evaluation to a variety of public policy areas.This trend has, in the U.K., been enhanced by central government initiated managerial reforms of public administration, of which local government is a part. These reforms have concentrated on the ideas surrounding the concept of value for money, economy, efficiency and effectiveness and have included the use of explicit standards and measures of performance (Jones 1992). Such explicit standards often manifest themselves in the form of...

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