Blog Posts for Censorship

Thank you to the many people who have been blog contributors to, and readers of ArtsBlog over the years. ArtsBlog has long been a space where we uplifted stories from the field that demonstrated how the arts strengthen our communities socially, educationally, and economically; where trends and issues and controversies were called out; and advocacy tools were provided to help you make the case for more arts funding and favorable arts policies.

As part of Americans for the Arts’ recent Strategic Realignment Process, we were asked to evaluate our storytelling communications platforms and evolve the way we share content. As a result, we launched the Designing Our Destiny portal to explore new ways of telling stories and sharing information, one that is consistent with our longtime practice of, “No numbers without a story, and no stories without a number.”

As we put our energy into developing this platform and reevaluate our communications strategies, we have put ArtsBlog on hold. That is, you can read past blog posts, but we are not posting new ones. You can look to the Designing Our Destiny portal and our news items feed on the Americans for the Arts website for stories you would have seen in ArtsBlog in the past.

ArtsBlog will remain online through this year as we determine the best way to archive this valuable resource and the knowledge you’ve shared here.

As ever, we are grateful for your participation in ArtsBlog and thank you for your work in advancing the arts. It is important, and you are important for doing it.

Scandal, Outrage and Censorship: Controversy in Modern Art

Date of Publication (formatted): 
December, 1991
Summary: 

This exhibition catalog of works displayed at the Galerie St. Etienne from January 21 through March 7, 1992 in New York City include works by censored Austrian and German artists under the Nazis. In this introduction to the exhibit, there is also a discussion of attacks on the NEA for funding controversial exhibit such as Robert Mapplethorpe, whose works are included in this exhibit.

Pornography and Censorship

Date of Publication (formatted): 
December, 1982
Summary: 

This work involves three sections: philosophical essays, social scientific studies, and judicial essays. As a discussion of freedom of expression, this work is relevant to arts policy. The work, however, rarely makes connections among pornography and art. Selected chapters analyzed.

Democratic Art: The New Deal's Influence on American Culture

Date of Publication (formatted): 
January, 2015
Summary: 

Drawing on close readings of government-funded architecture, murals, plays, writing, and photographs, Democratic Art argues that those engaged in New Deal art were part of an explicitly cultural agenda that sought not just to create art but to democratize and Americanize it as well. By tracing a range of aesthetic visions that flourished during the 1930s, this brand new book outlines the successes, shortcomings, and lessons of the golden age of government funding for the arts.

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