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As part of Americans for the Arts’ recent Strategic Realignment Process, we were asked to evaluate our storytelling communications platforms and evolve the way we share content. As a result, we launched the Designing Our Destiny portal to explore new ways of telling stories and sharing information, one that is consistent with our longtime practice of, “No numbers without a story, and no stories without a number.”

As we put our energy into developing this platform and reevaluate our communications strategies, we have put ArtsBlog on hold. That is, you can read past blog posts, but we are not posting new ones. You can look to the Designing Our Destiny portal and our news items feed on the Americans for the Arts website for stories you would have seen in ArtsBlog in the past.

ArtsBlog will remain online through this year as we determine the best way to archive this valuable resource and the knowledge you’ve shared here.

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In October 2003, Detroit-based activist, cultural worker, and octogenarian Grace Lee Boggs energized and inspired a national gathering of artists, arts organization and community leaders, and activists with her speech at Animating Democracy's National Exchange on Art & Civic Dialogue. Boggs described a United States that is increasingly jobless; that jeopardizes its youth in a problem-wrought education system; and that is resented for its economic, military, and cultural domination. "Can we create a new paradigm of our selfhood and our nationhood?" she implored. In Boggs' subsequent essay, "These are the times that grow our souls," (commissioned by Animating Democracy), she expands on ideas seeded at that gathering. Stressing the need for tremendous philosophical and spiritual transformation to effect social justice and change, she advocates a shift from politics as usual and protest alone to positive and holistic change making. Boggs recounts several movements of the last half century and promising contemporary ones that demonstrate an expanding desire to "grow our souls." Boggs recognizes artists as key paradigm shifters. She concludes with insights on how arts and culture have been transforming Detroit's decimated physical spaces, education system, and neighborhoods through Detroit Summer, a multicultural, intergenerational youth program and movement that she and her late husband, James Boggs, founded to rebuild, redefine, and respirit Detroit from the ground up.

In October 2003, Detroit-based activist, cultural worker, and octogenarian Grace Lee Boggs energized and inspired a national gathering of artists, arts organization and community leaders, and activists with her speech at Animating Democracy's National Exchange on Art & Civic Dialogue. Boggs described a United States that is increasingly jobless; that jeopardizes its youth in a problem-wrought education system; and that is resented for its economic, military, and cultural domination. "Can we create a new paradigm of our selfhood and our nationhood?" she implored. In Boggs' subsequent essay, "These are the times that grow our souls," (commissioned by Animating Democracy), she expands on ideas seeded at that gathering. Stressing the need for tremendous philosophical and spiritual transformation to effect social justice and change, she advocates a shift from politics as usual and protest alone to positive and holistic change making. Boggs recounts several movements of the last half century and promising contemporary ones that demonstrate an expanding desire to "grow our souls." Boggs recognizes artists as key paradigm shifters. She concludes with insights on how arts and culture have been transforming Detroit's decimated physical spaces, education system, and neighborhoods through Detroit Summer, a multicultural, intergenerational youth program and movement that she and her late husband, James Boggs, founded to rebuild, redefine, and respirit Detroit from the ground up.

Report
Boggs, Grace Lee
Art and Activism
11
File Title: 
These Are The Times That Grow Our Souls
Publisher Reference: 
Americans for the Arts
Research Abstract
Is this an Americans for the Arts Publications: 
Yes
2003