Thank you to the many people who have been blog contributors to, and readers of ArtsBlog over the years. ArtsBlog has long been a space where we uplifted stories from the field that demonstrated how the arts strengthen our communities socially, educationally, and economically; where trends and issues and controversies were called out; and advocacy tools were provided to help you make the case for more arts funding and favorable arts policies.

As part of Americans for the Arts’ recent Strategic Realignment Process, we were asked to evaluate our storytelling communications platforms and evolve the way we share content. As a result, we launched the Designing Our Destiny portal to explore new ways of telling stories and sharing information, one that is consistent with our longtime practice of, “No numbers without a story, and no stories without a number.”

As we put our energy into developing this platform and reevaluate our communications strategies, we have put ArtsBlog on hold. That is, you can read past blog posts, but we are not posting new ones. You can look to the Designing Our Destiny portal and our news items feed on the Americans for the Arts website for stories you would have seen in ArtsBlog in the past.

ArtsBlog will remain online through this year as we determine the best way to archive this valuable resource and the knowledge you’ve shared here.

As ever, we are grateful for your participation in ArtsBlog and thank you for your work in advancing the arts. It is important, and you are important for doing it.

This paper focuses on how urban policies and the clustering of creative industries has
influenced urban outcomes. The set of creative industries include those with output protectable
under some form of intellectual property law. More specifically, this subsector encompasses
software, multimedia, video games, industrial design, fashion, publishing, and research and
development. The cities that form the basis for the empirical investigations are those where
policy induced transitions have been most evident, including Boston; San Francisco; San Diego;
Seattle; Austin; Washington DC; Dublin (Ireland); Hong Kong (China); and Bangalore (India).
The key research questions motivating the paper are: What types of cities are creative?
What locational factors are essential? What are the common urban policy initiatives used by
creative cities? The paper first explores the importance of the external environment for
innovation and places it in the larger context of national innovation systems. Based on a study of
development in Boston and San Diego, the paper isolates the factors and policies that have
contributed to the local clustering of particular creative industries. In both cities, universities
have played a major role in catalyzing the local economy by generating cutting-edge research
findings, pro-actively collaborating with industries, and by supplying the needed human capital.
In addition, these two cities benefited from the existence of anchor firms and active industry
associations that promoted fruitful university-industry linkages.
Many cities in East Asia are aspiring to become the creative hubs of the region.
However, their investments tend to be heavily biased towards infrastructure provision. Although
this is necessary, the heavy emphasis on hardware has can lead to underinvestment in developing
the talents and skills needed for the emergence of creative industries in these cities.

The author focuses on how urban policies and the clustering of creative industries has influenced urban outcomes. The set of creative industries include those with output protectable under some form of intellectual property law. More specifically, this sub-sector encompasses software, multimedia, video games, industrial design, fashion, publishing, and research and development

Approved
U
RS
RS
Carolina Rojas
Periodical (article)
Weiping Wu
World Bank Policy Research Working Paper 3509
37
February, 2005
Publisher Reference: 
The World Bank
Old URL: 
http://www.artsusa.org/NAPD/modules/resourceManager/publicsearch.aspx?id=11051
Research Abstract
Rank: 
0
Is this an Americans for the Arts Publications: 
No