Thank you to the many people who have been blog contributors to, and readers of ArtsBlog over the years. ArtsBlog has long been a space where we uplifted stories from the field that demonstrated how the arts strengthen our communities socially, educationally, and economically; where trends and issues and controversies were called out; and advocacy tools were provided to help you make the case for more arts funding and favorable arts policies.

As part of Americans for the Arts’ recent Strategic Realignment Process, we were asked to evaluate our storytelling communications platforms and evolve the way we share content. As a result, we launched the Designing Our Destiny portal to explore new ways of telling stories and sharing information, one that is consistent with our longtime practice of, “No numbers without a story, and no stories without a number.”

As we put our energy into developing this platform and reevaluate our communications strategies, we have put ArtsBlog on hold. That is, you can read past blog posts, but we are not posting new ones. You can look to the Designing Our Destiny portal and our news items feed on the Americans for the Arts website for stories you would have seen in ArtsBlog in the past.

ArtsBlog will remain online through this year as we determine the best way to archive this valuable resource and the knowledge you’ve shared here.

As ever, we are grateful for your participation in ArtsBlog and thank you for your work in advancing the arts. It is important, and you are important for doing it.

The Arts Economy Initiative at the Universitys Humphrey Institute of Public Affairs, is currently working on a ten year project on artists, their livelihoods and their contributions to regional and local economies. Our most recent study, Crossover: How Artists Build Careers across Commercial, Nonprofit and Community Work (2006), finds that large percentages of artists in the Los Angeles and San Francisco Bay areas create and market their artwork in two or more of the commercial, nonprofit and community sectors simultaneously. Many confirm that their experiences in each sector help them develop different aspects of their art and livelihoods. If money were not an issue, most would elect to work across sectors even more than they now do. The study shows how artists' crossover experiences vary by discipline (musicians, writers, performing and visual artists), age, ethnicity, income, self-employment and location. The study includes numerous recommendations for facilitating crossover.

Released November 2006, this study finds that many artists' work spans two or more sectors, that artists would increase such crossover if money were not an issue, and that each sector provides special artistic development opportunities.

Approved
U
RS
RS
Matthew Pena
Periodical (article)
Ann Markusen, Sam Gilmore, Amanda Johnson, Titus Levi, Andrea Martinez
104
September, 2006
Publisher Reference: 
Humphrey Institute of Public Affairs, University of Minnesota
Old URL: 
http://www.artsusa.org/NAPD/modules/resourceManager/publicsearch.aspx?id=12209
State: 
Research Abstract
Rank: 
3
Is this an Americans for the Arts Publications: 
No