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The SODO Track is transforming the portal to Downtown Seattle – a two-mile transit corridor lined by industrial building backs – into an imaginative raceway of art in motion.

An open-air urban art gallery, it is the first mural project to commission many artists to explore one theme – motion – and for that theme to reflect the in-motion viewing experience of its viewers: over 50,000 transit riders each weekday.

Regional, national, and international artists are painting side-by-side, creating a series of artworks that stream through bus and train windows as a largely continuous line of sight. Defined mural lifespans and centralized strategies for PR and maintenance further distinguish this mural project.

40 artists have produced 29 murals on 19 properties since 2016. Artists are invited by curator Gage Hamilton and selected from the 4Culture Muralist Roster, a peer panel-selected roster of regional artists who self-submitted for consideration. These artists bring a broad range of backgrounds, styles, and approaches to the theme of motion – from painted animation frames that come to life in transit to patterns that evoke Native American dance movements, from creatures that leap to vanishing points that point to places beyond what we can see. Artists are invited to participate festival-style and to work in new ways: some paint at their largest scale to date, others offer youth workshops or collaborate as teams for the first time.

A story of physical transformation, the SODO Track is also a story about partnership. Produced by 4Culture, the project is coalition-built with multiple agency partners and community supporters. We come together around shared goals – enhance the transit experience, up the ante on street art in Seattle, contribute something new to the global street art conversation – and maximize public investment with economies of scale, grants, private donations, and in-kind contributions from many, including local chefs.

Gage Hamilton
Secondary Artist’s Name : 
Broken Fingaz (HAIFA, ISRAEL)
Christopher Derek Bruno (SEATTLE, WA)
Caratoes (TOKYO, JAPAN)
Cyrcle (LOS ANGELES, CA)
DALeast (BERLIN, GERMANY)
Paola Delfin (MEXICO CITY)
Baso Fibonacci + Jean Nagai (SEATTLE + OLYMPIA, WA)
Jaque Fragua (JEMEZ PUEBLO, NM)
Damien Gilley (PORTLAND, OR)
Katy Ann Gilmore (PASADENA, CA)
Andrew Hem (LOS ANGELES, CA)
Mary Iverson (SEATTLE, WA)
Christopher Paul Jordan (TACOMA, WA)
Addison Karl (BERLIN, GERMANY)
Spencer Keeton Cunningham (SAN FRANCISCO, CA)
Josh Keyes + Urban ArtWorks (PORTLAND, OR + SEATTLE, WA)
Troy Lovegates (OAKLAND, CA)
Low Brows (BERLIN, GERMANY)
Joe Nix (SEATTLE, WA)
Drew Merritt (LOS ANGELES, CA)
Ellen Picken (SPOKANE, WA)
Cheyenne Randall (SEATTLE, WA)
David Rice + Ola Volo (PORTLAND, OR + VANCOUVER, BC)
Joram Roukes (GRONINGEN, THE NETHERLANDS)
Sneke + Hews + Apaul and Blaine Fontana (BURIEN, MUKILTEO, SEATTLE, WA + PORTLAND, OR)
Kenji Stoll (TACOMA, WA)
Casey Weldon + Syd Bee (SEATTLE, WA)
Zach Yarrington (PORTLAND, OR)
Zoer + Velvet (PARIS, FRANCE)
4Culture
King County Metro Transit
4Culture
Tamar Benzikry
Design Team Members: 
Dominic Nieri (photographer)
Primary Design Professional’s Organization : 
dba @wiseknave
Chop Em Down Films (videographer)
@wiseknave
@wiseknave
@wiseknave
@wiseknave
@wiseknave
@wiseknave
Painting
Gateway
Public Space
Streetscape
Transit System
Wall
Festival
Mural
2017
Urban ArtWorks (collaborator)
SODO BIA (partner)
Sound Transit (partner)
Seattle’s South of Downtown (SODO) neighborhood
5th Ave South between Royal Brougham Way and South Spokane Street
98134 Seattle, WA
Permanent
Seattle artist Christopher Derek Bruno’s Exterior Intervention 1: angle of incidence, 2017. Applying a full spectrum of 21 hand-mixed colors to the entirety of a corrugated steel building, Bruno explores light as a means to detect and decipher motion.
Uniquely qualified to paint nearly 7,000 sq. ft. of corrugated metal, the Berlin brothers known as Low Bros render 3D characters in a 2D composition titled The Wire, 2016. Ingeniously, the characters were created entirely of large shapes of color.
This too shall pass … Then out came the sun, 2016, by the Los Angeles duo known as Cyrcle offers a poetic moment across 275 feet in just 2 colors and 5 words. Using Seattle’s weather as metaphor, they offer hope to “the dark, lost and lonely.”
In Standing Rock / Stolen Native Patternwork #10, 2016, Colville Tribe member Spencer Keeton Cunningham explores the project theme in light of solidarity with a contemporary movement: Standing Rock and the fight to halt the North Dakota Access Pipeline.
Christopher Paul Jordan created High Jump, 2017, as part of his #COLORED2017 initiative showcasing the work of black US and Caribbean artists. Viewed through a smartphone’s inverted color camera, the figure – painted in blue and white – emerges as black.
Youth work with SODO Track artists in workshops and painting murals like Stampede, 2016, designed by Josh Keyes. Urban ArtWorks, a nonprofit providing opportunities for undeserved youth to work with contemporary artists, is an important project partner.
Paint on building backs.
2018
The SODO Track is 2 miles of busway and building backs, and the conversion of a commute to a cultural experience x50,000 per weekday.
Grant
Private
Public
Percent-for-Art
335000
https://vimeo.com/239874203
https://vimeo.com/240046308
https://vimeo.com/240046072
Judge Rating: 
2.67
Average: 2.7 (3 votes)