Blog Posts for Social Change

Aesthetics of Process in a City Master Plan in Western Sydney, Australia

Posted by Gretchen Coombs, Jul 27, 2017 0 comments

The Future of Penrith/Penrith of the Future came out of the C3West initiative (community, commerce, contemporary art), and demonstrates how partnerships between artists, city councils, urban planners, architects, and businesses have resulted in positive social outcomes where communities reimagine urban life, establish relationships to place, and experience what art can be and do outside the museum. The C3West model challenges the orthodoxies of community art by bringing in civic and business partners, tapping into sources of money that would not normally be available to artists.

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Enough with the Tea Already

Posted by Lauren Slone, Jul 27, 2017 0 comments

At the MAP fund, we want panelists to be passionate advocates for artists and share their unique perspectives; the problem is that those preferences can block their ability to support artistic work that is not reflective of their tastes, expertise, and cultural biases. The Aesthetic Perspectives framework offers a bold new lexicon that greatly improves upon what is often dismissive language used by gatekeepers to assert one dominant aesthetic approach above others.

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Changing a Dominant Evaluation Paradigm

Posted by María López De León, Jul 27, 2017 0 comments

Aesthetics and their interpretation are defined by institutionalized notions of excellence, and when artistic work speaks to social justice or traditional practices, its creative aspects are often considered lacking the value assigned by entrenched evaluation standards and practices. The Aesthetic Perspectives framework takes the conversation of evaluation to the next phase as it broadens the frame and brings forth a holistic approach to include and honor alternative attributes to define excellence in arts for change.

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Evaluating the Social Impact of Indigenous Art Projects by Way of Aesthetic Impact

Posted by Miriam Jorgensen, Jul 26, 2017 0 comments

Aesthetic Perspectives firmly positioned our inquiry as “How do we know that this is going well?” as opposed to “How well is this going?” This step was pivotal. As evaluators, we understood our work to be asking the former question. Yet the word “evaluation” often shifted our conversations uncomfortably toward the latter. By returning again and again to the questions in the framework, we were better able to draw out stories and to identify the projects’ specific impacts. As a result, the final impact evaluation report presents a textured set of findings that allows artists, funders, and communities to see the difference these projects have made.

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Validating the Democracy of the Arts

Posted by Mr. Eric Booth, Jul 26, 2017 0 comments

For a very long time, the criteria for excellence in the arts have been owned by a particular body of experts who generally have a condescending view of the quality of art developed in community-based and social change programs and projects. These credentialed “experts” hold to a definition of quality largely based in an “art for art’s sake” paradigm. However, this definition loses the connection with the vast majority of people who live in the country, as well as the vast range of arts that is produced here and the range of reasons for which people make art. Art is for many sakes, including but not limited to art’s sake (whatever that restriction means in practice).

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The Spirits Sitting on My Shoulder

Posted by Denise Uyehara, Jul 26, 2017 0 comments

Maybe these are familiar to you: you have a great idea but you cannot get it off the ground because funders cannot see its worth; or, worse yet, you cannot get the community you want to come see it to actually come. Those are real problems. So, that’s when the Aesthetic Perspectives: Attributes of Excellence in Arts for Change could beautifully help guide our creations, and to truly engage community. 

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