The decision to stand up and speak out on the injustices in our society does not always come as a choice for those who are subjected to them. In some cases, protest becomes a necessary means for which progress and justice may be made. The protests that followed the death of George Floyd in May 2020 took place all across the country, including Boston, where MASARY Studios is located. On May 31, a peaceful march in memory of George Floyd turned into a large rally on the Boston Common. The cultural tension between people of color and the local police force was felt in the air as the events unfolded throughout the night. Sparked by this event, the civil unrest became headline news and a prominent point of discussion. The start of our Protest Projections in Downtown Boston began the night after the rally at the Boston Common, emerging from the same cultural energy and tensions. As creatives we are motivated by our feelings of wanting to speak up, make a difference, and be a part of or start the conversation. Using our experience in public spaces as artists doing projections, we wanted to continue to use this medium to make an impact for change. Witnessing the nationwide protests, specifically the ones in our own city, the sense of creative urgency was even more present as we thought about our response as artists but also as protestors. Motivated by our drive to take action and the fact that so much is on the line for our future, it was not hard for us to decide whether or not we should take action.

Kyaien (Kya) Conner, PhD, LSW, MPH, began studying West African Dance at the age of six and became a professional West African Dancer at 14. Trained in dance forms of Djembe, Sabar, and Kutiro, she is a member of Kuumba Dancers and Drummers in Tampa, Florida; teaches West African Dance at the University of Tampa; and has taught West African dance nationally and internationally. Conner also is a tenured professor of Mental Health Law and Policy at University of South Florida, specializing in health disparities and the benefits and effects of culturally relevant psychiatric treatments and community-based intervention in older African Americans.

Our Member Profile series features the many Americans for the Arts members doing transformative work for arts education, public art, advocacy, arts marketing, and more. An Americans for the Arts Membership connects you with this network of more than 6,000 arts leaders and gives you access to latest professional development and research. 

Kathy Hsieh is the Cultural Partnerships and Grants Manager at the Seattle Office of Arts & Culture, overseeing investments funding, and racial equity opportunities for community. Hsieh has transformed the City of Seattle’s arts funding program and helped the agency earn the Seattle Management Association’s first Race and Social Justice Management Award. Kathy shared with us her insights about how she became involved with the arts, her office's response to COVID-19 and the Black Lives Matter movement, as well as her recommendations for arts leaders looking to promote cultural and racial equity in their work. 

Across the nation, communities have taken to the street to express their feelings about the Black Lives Matter movement in paint. Public art is an effective tool for local government expression because it amplifies messages of political and social importance with a clear and powerful statement. It also brings people together, creates social understanding, and aids the healing process. That’s just what it did in Asheville, N.C. After a month of planning, on Sunday, July 19, 2020, dozens of artists and volunteers came together on behalf of the City of Asheville to create a Black Lives Matter mural in the heart of downtown. Having been through this process, I have 5 tips for arts agencies looking to serve in a similar role. I also recommend reaching out to other organizations in your area, state, or region that have played a role in the installation of a street mural project for additional insights.

Franiya Tiffany is an actress, entertainer, and innovator from Florida. At only 10 years old, she is one of Americans for the Arts’ youngest members. A musician and performer, Tiffany is launching a nonprofit, Love Your Art Project, to help reduce poverty and empower her generation. We were excited to have a conversation with her about how she got her start in the arts, her experience as a guest on NBC’s Today Show, and her perspective on how we can all make a difference in our communities. "The future is ours. Without us using our voices now we will continue to see a repeat of the unchanged problems that will keep affecting every generation, one after another. When young people use our voices and stand tall, we can fix and unite the world in ways that will bring lasting love and change." 

The idea to exchange visual art and musical performances for healthcare was hatched in a conversation over a beer between a Kingston, NY, dentist and a painter. From that creative brainstorming session a small group of underinsured artists and providers was formed to found the first O+ (pronounced O Positive) Festival in 2010. The inaugural festival featured a parade, paste-up murals, and concerts in empty storefronts, and volunteer providers built a small pop-up clinic to care for the participating artists and musicians. Their simple idea of exchanging “the art of medicine for the medicine of art” acknowledged the value that everyone brought to their community. The festival was a way to both celebrate that and bring attention to the inequities of the American healthcare system. At the heart of the festival is the Artists’ Clinic and Greenroom. Participating artists, musicians, and volunteers receive care from volunteer nurses, doctors, bodyworkers, and mental health professionals in a clinic we install in a community hall and from dentists in their offices. An insurance navigator from The Actors Fund is on hand to provide information and guidance. The hall also houses our Greenroom, a place for participating artists, musicians, volunteers, and healers to relax over a home-cooked meal.