Blog Posts for social change

Enacting Change in the Performing Arts World Begins with Changing the Conservatory Culture

Posted by Dr. Fred Bronstein, Dec 07, 2017 0 comments

Twenty-five years ago American orchestras began a conversation about what would happen to excellence in performance if orchestras broadened their missions to focus on education and community engagement. The fear, unfounded, was that excellence would be compromised. The opposite was true. Today, administrators of top performing arts organizations are begging for those of us who train artists to start training like it’s the 21st century and not the 19th. More than new skills—which is certainly part of it—this requires something more difficult: a change in the mindset of musicians. We must understand we’re all in the audience development business.

Read More

Museums and Creative Aging

Posted by Kate McLeod, Erin Dowdy, Dec 06, 2017 0 comments

In the United States, 1 in 10 adults age 65 and older has Alzheimer’s dementia. As the size of the U.S. population age 65 and older continues to increase, the number of Americans with Alzheimer’s or other dementias will escalate rapidly. Although cultural institutions have created programs for this population for many years, how these programs are created—how educators are intentional in the works of art they select for the program, how much research and evaluation is put into a session, etc.—are growing and becoming more substantial. So, how are we doing it? And are these programs effective?

Read More

Artists’ Voices Ring Through Civic Dialogue and Municipal Engagement

Posted by Robert Lynch, Oct 31, 2017 0 comments

The role of the artist is changing. In the midst of these challenging times, civic engagement has become the focus of attention across many sectors and fields. More than ever, the arts are promoting greater awareness and understanding of community issues, contributing to shifts in thinking and in attitude. I see artists and arts organizations across the country being integrated into practices of civic engagement, and applying the power of artistic imagination to inform, inspire, engage, and motivate social action. And I continue to applaud state and municipal governments across the U.S. for embracing such collaborations.

Read More

Skin In The Game In the Fight for Arts Funding

Posted by Brendan Ciecko, Oct 19, 2017 0 comments

Art has the power to transform our lives and strengthen our communities. In spite of this, the future of our beloved arts has experienced a hair-raising roller coaster ride over this past year. Like many of you reading this post, a fire has ignited within me to stand-up for what I believe in—and, I believe in the arts. When the going gets tough, we must speak loud, stand up tall, and refuse to back down. The arts are the most vibrant and expressive of the vital pillars that make up our great nation. In this fight for the brightest and most prosperous future for the arts, we all have skin in the game.

Read More

Undoing Power Dynamics by Incorporating Youth and Community Voices

Posted by Ashraf Hasham, Oct 18, 2017 0 comments

By wishing to incorporate youth and their communities in decision-making for initiatives that are intended to engage them and their peers, organizations and program managers are (knowingly or unknowingly) giving these young people a lesson on power dynamics, the power of organizing, and policy development via focus grouping, researching, and consulting with experts (aka themselves). By welcoming youth into the decision-making process, we can begin to show them how decisions—within our organizations and more broadly in society—could be made differently. Let’s lean into it and, in fact, give these young folks more power over programs that are meant to be for them, particularly in organizations that have little or no history of incorporating young people in admin-level spaces.

Read More

Do we want to foster the arts or do we want to foster creativity?

Posted by Joanna Chin, Oct 13, 2017 0 comments

Way before immersive theater or virtual reality were trendy, Robert E. Gard spoke to the idea of an experience that is creatively valuable because the experience of the “audience” becomes the story itself. We see this in role-playing games like Dungeons and Dragons, as well as new forms of immersive theater like Sleep No More or Then She Fell, in which the experience of participating becomes its own creative energy. I think these creative endeavors resonate with people because they are grounded in each participant’s lived experience (rather than universal plots or a reflection of someone else’s perspective) and, as such, they cannot help but be authentic. 

Read More

Pages