Blog Posts for private sector network

The Business of Public (Art)Work

Posted by Masary Studios, Apr 27, 2018 0 comments

The discourse of what public art can be is ever expanding. With the accessibility of new creative tools and platforms to present new forms of public art, artists and presenters are pushing existing boundaries and creating new ones for what public art can be and how it is presented. It’s an exciting time for Masary Studios, a team of artists creating one-of-a-kind visual and sound experiences. By unlocking the hidden possibilities of an urban landscape or space, Masary’s works are at once a performance, a dissection of architecture, and an immersive visual spectacle. And while we are artists, we are also business owners. Each piece takes on a different artistic approach, but our business model for project management, technical direction, budgets, and attention is consistent and critical in how we see a vision through to retain a healthy balanced working life. 

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Thriving arts communities need for-profit support

Posted by Mark Golden, Mar 22, 2018 0 comments

Almost exactly four years ago now, we at Golden Artist Colors embarked on a collaborative process to develop a new Vision Statement for our business. What emerged through this process was a collective vision that was much greater and much more audacious than anything we could have imagined for ourselves. Our vision wasn’t to beat any other manufacturer or supplier in our industry, but to ask our peer companies to join forces and, together, help us create more abundance in the arts for every one of us to grow. The art materials industry is an enormously powerful, committed, and connected community of the arts. It is important to share some thoughts of what I think this can mean for all of us to raise the value of the arts and, in doing so, clearly benefit the future and well-being of our industry—not only ours but across the private sector. 

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Arts Education Helps Train Tomorrow’s Workforce: A strong arts education helps prep kids for the future

Posted by Mari Horita, Oct 12, 2017 0 comments

To build the workforce of tomorrow, let’s invest in arts education for our youth today. Studies show that early arts engagement for students from low socio-economic backgrounds significantly increases their likelihood of college attendance and graduation. Increased graduation rates lead to increased employability, and studies also show these students demonstrate increased volunteerism and political participation. Exposing young people from all backgrounds to the arts is an investment not only in their future, but in a collective future with an employed and engaged next generation.

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Feeling Threatened by Creativity? Here’s the Antidote

Posted by Jessica Gaines, Aug 31, 2017 0 comments

After reading the article “Most People are Secretly Threatened by Creativity,” I was depleted and infuriated. Creativity is the backbone of most of my identity as well as nearly 100% of the people I have come to know in varying communities including arts administration, marketing, event and hospitality management, and performing arts—even my engineering-focused friends at my alma mater were open-minded, creative vessels. So, what is with this idea that creativity is threatening?

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Tips for Arts Organizations Engaging Tech Communities

Posted by Ms. Mariama Holman, Aug 17, 2017 0 comments

In a conversation on “How Tech Companies Think About the Arts” at the 2017 Americans for the Arts Annual Convention in San Francisco, artists and arts organization had an opportunity to connect with philanthropic representatives from Silicon Valley companies to learn and exchange ideas on how to better engage one another. The key question: How can arts organizations partner with tech companies on a more personal, individualized level—turning employees into active community arts participants?

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Increased Corporate Contributions to the Arts Are No Certainty

Posted by Alex Parkinson, Jul 13, 2017 0 comments

Arts organizations are already in the right position to maneuver for a bigger part of the philanthropic pie, but they face a number of challenges—not least the fact that competition for philanthropic funds is likely to intensify. As the arts enter a heightened competitive funding environment against any number of other social issues, will artists be forced to stifle their creativity to attract funding from businesses that are increasingly nervous about entering the firing line of an unconventional administration?

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