Blog Posts for Pennsylvania

Thank you to the many people who have been blog contributors to, and readers of ArtsBlog over the years. ArtsBlog has long been a space where we uplifted stories from the field that demonstrated how the arts strengthen our communities socially, educationally, and economically; where trends and issues and controversies were called out; and advocacy tools were provided to help you make the case for more arts funding and favorable arts policies.

As part of Americans for the Arts’ recent Strategic Realignment Process, we were asked to evaluate our storytelling communications platforms and evolve the way we share content. As a result, we launched the Designing Our Destiny portal to explore new ways of telling stories and sharing information, one that is consistent with our longtime practice of, “No numbers without a story, and no stories without a number.”

As we put our energy into developing this platform and reevaluate our communications strategies, we have put ArtsBlog on hold. That is, you can read past blog posts, but we are not posting new ones. You can look to the Designing Our Destiny portal and our news items feed on the Americans for the Arts website for stories you would have seen in ArtsBlog in the past.

ArtsBlog will remain online through this year as we determine the best way to archive this valuable resource and the knowledge you’ve shared here.

As ever, we are grateful for your participation in ArtsBlog and thank you for your work in advancing the arts. It is important, and you are important for doing it.


Emily Engott

A Tale of Two Industries: Art and Steel, Part 2

Posted by Emily Engott, Dec 01, 2016 0 comments


Emily Engott

Erie, PA has embarked on a renaissance of both art and industry through a project that leverages Erie’s industrially-rooted identity. The Art & Industry project convenes local manufacturers to share trends and career opportunities with students from Erie County Technical School, reinforcing skills students need to excel. The students then designed, fabricated and installed public art that is a lesson in the history of Erie’s people, helping to foster pride in industrial heritage that extends to the products created locally today.

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Ms. Norah G. Johnson

Help, I’m Marketing and I Can’t Get Up

Posted by Ms. Norah G. Johnson, Mar 22, 2018 0 comments


Ms. Norah G. Johnson

How many of us are walking a line at our jobs between being an arts marketer, or not? Nowadays it seems as if dual and blended roles are becoming increasingly the norm for all except the largest arts and cultural organizations.

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Mr. Robert Lynch

Robert Lynch Responds to Wall Street Journal Commentary Calling for an End to the NEA

Posted by Mr. Robert Lynch, Feb 03, 2017 0 comments


Mr. Robert Lynch

Thank you to Patrick Courrielche (“Save the Arts by Ending the Endowment,” Jan. 25), who made an excellent case for protecting the National Endowment for the Arts and even increasing its appropriations. However, his letter needs to be read from the bottom up. Mr. Courrielche’s summary called for Congress and President Trump to create a robust, expanded national arts council, but that is in fact what the NEA is. 

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Laura Kochman

How to Make a Monument

Posted by Laura Kochman, Aug 14, 2018 0 comments


Laura Kochman

In the fall of 2017, Mural Arts Philadelphia embarked on our biggest project ever: Monument Lab, a nine-week-long public art and history project challenging Philadelphians to join a citywide conversation about history, memory, and our collective future. Twenty dynamic contemporary artists, selected by curators Paul M. Farber and Ken Lum, created temporary monuments across the city, and four of them were selected as outstanding public art projects by Americans for the Arts’ Public Art Network Year in Review. Because these four artworks stem from the same project, it’s easy to draw lines between them. Monument Lab asked us to consider what a monument is, and who gets a say in history. All of the artists answered this question in different visual ways, but their common qualities are clear. All four pieces make clear what is missing, what has gone untold.

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Ms. Norah G. Johnson

The Many Hats of the 21st Century Arts Marketer: There is a Solution

Posted by Ms. Norah G. Johnson, Mar 28, 2017 0 comments


Ms. Norah G. Johnson

Realizations about trends in our field like multiple hat syndrome helped inspire a new program to support, strengthen and advance arts marketing and audience engagement skills in Pennsylvania.

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Mr. Robert Lynch

Advice for Arts Advocates Everywhere

Posted by Mr. Robert Lynch, Mar 27, 2017 0 comments


Mr. Robert Lynch

At a time of volatile change, we must be relentless in voicing a strong and clear message. Learning more about our elected officials and then actively engaging with them will serve to advance pro-arts policies that will impact our society and communities for years to come. 

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