Blog Posts for Oregon

Play Harder, Work Harder: Experiments Within Emerging Leaders Networks

Posted by Candace Kita, Apr 14, 2015 0 comments

When was the last time that you were told to “play harder”? Unless you happen to work at an extremely progressive workplace such as this one—where employees can mentally recharge in a gallery-turned-ball pit—the possibilities for play tend to disappear as we grow older. While arts nonprofits tend to acknowledge that creative thinking and experimentation propel innovation, resources are rarely allocated towards opportunities for staff to regularly weave play with work.

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Arts Education Poised for Comeback in Nation’s Largest School Districts

Posted by Doug Israel, Apr 07, 2015 0 comments

Urban school districts, such as New York and Chicago, are taking bold steps to expand the school day curriculum and once again invest in arts education. After years of budget cuts, and a narrowing of curriculum at public schools across the country, cities are taking action.

Owing largely to mandates of the federal No Child Left Behind Act, school districts of all sizes spent recent years focusing educational goals very narrowly on improving test scores in just two subject areas—English Language and Math. This focus came at the expense of the arts, music, and other subject areas that were not being tested.

Fortunately, the tide may be turning, and arts education may be making comeback.

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Five Reasons Not to Forget Special Education Students

Posted by Stephen Marc Beaudoin, Mar 19, 2015 0 comments

They’re often left behind.

Left out of the discussion. Forgotten. Not on the stage or missing from the page. Frequently not even in the room.

I’m talking about students experiencing disability, or special education students.

In the swirling national dialogue on arts education and cognitive development, it is surprising to see how infrequently students experiencing disability are included as part of the research and discussion.

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Why English Language Learners need the arts

Posted by Rebecca Burrell, Mar 19, 2015 0 comments

When you take a look at the numbers, it’s clear that in coming years our public schools will enroll more English Language Learners than ever before. According to research by the Pew Charitable Trust, by 2050 34% of children under age 17 in the United States will be either immigrants or children of immigrants.

We also know that public school teachers are by and large white—over 80% as of the 2011-12 school year—leaving vast cultural and language gaps between teachers and their students. (Read more about that on page 20 of this report.)

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Arts Education: Ten Things to Remember from 2014

Posted by Jeff Poulin, Jan 09, 2015 2 comments

I can now affirmatively say that I have been at Americans for the Arts for over a year! Woohoo! …And what a year it has been.

Each month the Arts Education Advisory Council of Americans for the Arts has a monthly call. In December, we sat on the call reflecting on the previous year and what we had all accomplished personally, collectively, and throughout the field. In my role as the Arts Education Program Coordinator, I am privileged to see a lot of things that happen on a national scale across the country, and the council often provides insight into the impacts of these trends or brings my attention to something that is up-and-coming before it has actually made a splash.

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Pop Quiz: Socially Engaged Art and Aesthetics

Posted by Jen Delos Reyes, Nov 21, 2014 0 comments

Jen Delos Reyes Jen Delos Reyes

I received an invitation to participate in this blog salon on the relationship between aesthetics and arts in community development and social change work by way of my work as an artist and organizer around socially engaged art, however my response is most informed by my work as an educator.

From 2007-2014 I served as the co-director of an MFA program focused on art and social practice. The mantra of the program could have easily been that art and social practice starts and ends not in rarefied spaces, but out in the world. The students did not receive studio spaces and instead created their work out in the world through collaborations and partnerships, embedded in communities. The program sought to educate and activate students to develop and utilize their artistic skills to engage in society. It is the kind of education that created engaged citizens. But perhaps the most important aspect of the curriculum was that it asked artists to consider their relationship to and placement in society. So the core questions of this invitation, “But what happens when we assess art not just for art’s sake, but also for its civic purpose?” was a familiar one.

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