Blog Posts for November 2014 Blog Salon

Beauty and the "We"

Posted by Roberto Bedoya, Nov 21, 2014 0 comments

Roberto Bedoya Roberto Bedoya

“Our experience of the beautiful in the recognition of models that make world and community is restricted to the moment when these worlds and communities present themselves explicitly as the plural” - Gianni Vattimo

“We is not the plural of I” - Emmanuel Levinas

Beauty and the We. Beauty as an articulation of the plural, announced in engagement practices, is the experience I know and have been lucky to support in my career. Most recently, as the Director of the Tucson Pima Arts Council. Our team has supported 66 projects since 2010 that advance civic well-being, civic engagement, and community building of the We through the arts. Most prominently, this happens through the PLACE (People, Land, Arts, Culture and Engagement) Initiative, our placemaking/civic engagement platform. These projects create art experiences that shape the identity of place, present visions and manifestations of social cohesion, and activate democracy so as to build and animate the commons. And where is Beauty in PLACE?

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Pop Quiz: Socially Engaged Art and Aesthetics

Posted by Jen Delos Reyes, Nov 21, 2014 0 comments

Jen Delos Reyes Jen Delos Reyes

I received an invitation to participate in this blog salon on the relationship between aesthetics and arts in community development and social change work by way of my work as an artist and organizer around socially engaged art, however my response is most informed by my work as an educator.

From 2007-2014 I served as the co-director of an MFA program focused on art and social practice. The mantra of the program could have easily been that art and social practice starts and ends not in rarefied spaces, but out in the world. The students did not receive studio spaces and instead created their work out in the world through collaborations and partnerships, embedded in communities. The program sought to educate and activate students to develop and utilize their artistic skills to engage in society. It is the kind of education that created engaged citizens. But perhaps the most important aspect of the curriculum was that it asked artists to consider their relationship to and placement in society. So the core questions of this invitation, “But what happens when we assess art not just for art’s sake, but also for its civic purpose?” was a familiar one.

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It’s time to Replace the “Broken Window” with a “Scaffold Up.”

Posted by Amy Sananman, Nov 21, 2014 0 comments

Amy Sanamman Amy Sanamman

A year ago, New York City voted in its first new mayor in 12 years. The city council election resulted in new members in almost half of the 51 seat council. It was an exciting time for the progressive communities—for all those that have fought for social change through the fields of education, immigration reform, fair wages, affordable housing or, of course, the arts. While the Mayor’s new platform addressed many of these items, it did not include an arts agenda or integrate a strategy to use arts and culture to support a more just and equitable city for all. Over the past few months, I have seen NYC—its new administration and city council—struggle with finding new frameworks. I have been thinking about how the aesthetics of language and framing influence how we understand our communities, their challenges, opportunities, the role of arts, and how policies may be considered. One example of this is how NYC is grappling with the broken windows theory and its legacy.

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The Beauty of Change: Re-imagining Small Town America

Posted by John Davis, Nov 20, 2014 6 comments

John Davis John Davis

I am the Executive Director of Lanesboro Arts, a multidisciplinary arts organization founded in 1980. Lanesboro Arts fulfills its mission to serve as a regional catalyst for artistic excellence and educational development in providing diverse art experiences for people of all ages through visual art galleries, the performing arts, an artist residency program, public art, and educational outreach. Last year, Lanesboro Arts programming involved more than 180 volunteers, 300 artists, and 30,000 audience members. In 2013, Lanesboro (pop 754) was named one of the Top 12 Small Town ArtPlaces in America, a recognition determined by the number of arts opportunities per capita.

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But What About Quality?

Posted by Nina Simon, Nov 20, 2014 0 comments

Nina Simon Nina Simon

Scene: a regional workshop on arts engagement. A funder is speaking with conviction about the fact that her foundation is focusing their arts grantmaking strategy on engagement. Engaging new people. Engaging more diverse people. Engaging people actively in the arts. Any questions?

One, from a museum director. The question that comes up every time, the question so big it deserves the impropriety of all caps: BUT WHAT ABOUT QUALITY?

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Ae$thetics and Social ¢hange

Posted by Anitra Budd, Nov 20, 2014 0 comments

Anitra Budd Anitra Budd

When I was asked to write an entry for this blog salon, I was excited. When I noted the topic, aesthetics and social change, I was alarmed. In trying to analyze this instinctual sense of danger, I realized that the root of my feeling was my conflation of aesthetics with judgment.

The term aesthetics, like Walt Whitman, contains multitudes (take a look at this chapter by art history and education scholar Terry Barrett for a great discussion of the concept’s many dimensions). To consider aesthetics largely in terms of assessment and discernment is limiting, but not unusual.

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