A ‘lucky 13’ total number of public art blog posts were published this week from public art administrators, artists, designers, educators, and students.
Thank you to everyone in the Public Art Network (PAN) community for contributing and sharing the posts with your networks. Let us know your thoughts on the Blog Salon (you can view all 13 posts with this link) and future public art topics that you would like to see discussed through blog posts, webinars, and other information resources.
A cogent comment by Barbara Goldstein asked “does it work?” and emphatically stated, “It would be virtually impossible to measure whether one work of art has an economic impact in a specific place.” When public art administrators are asked for public art economic impact studies from elected officials, city commissions, and constituents it is incumbent on the public art program to look more deeply at how the artworks work within the larger urban and cultural context.
As Goldstein proposed, “questions that can be asked are more subtle—what makes a specific place memorable? Can you describe what you experience there and how it makes you feel? What do you think when you see a particular artwork? Does it improve your experience of this place?”
Studies are tackling the challenging approach of how to cull one’s personal experience of place, as Penny Balkin Bach introduced us to The Knight Foundation and Gallup Corporation’s Soul of the Community study that states, “community attachment creates an emotional connection to place.” The study determined that the key drivers of attachment are social offerings, openness, and the aesthetics of place—all attributes of public art.Read More