Blog Posts for lead

Impact Investing in the Arts: Bringing arts and business together for economic and social impact

Posted by Ms. Mariama Holman, Sep 28, 2017 0 comments

Arts organizations are situated in a prime spot in society for changing community outcomes, but are not recognized or leveraged by impact investors as a critical resource. Can you imagine a world in which capital is connected with arts organizations that dually function as social entrepreneurship firms, B Corps, and employee-owned co-ops? This very well could be the future of social impact investing. There is a rising tide of organizations working to facilitate the interaction between investors and arts organizations that create a social and financial return, both in the USA and abroad. We could be finally witnessing the genesis of a trend that whittles away the wrongly perceived line dividing artists from economic contributors. 

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Daily Inspiration to Fight the Good Fight: Gard’s “To Change the Face and Heart of America”

Posted by Todd Trebour, Sep 19, 2017 0 comments

As many of you are aware, the Wisconsin Idea at public universities is under attack in many states—one of them sadly being Wisconsin. Allocations by states to their universities are either reflecting this ideology or simply the tough choices created by fiscal reality. Lacking the affluent alumni and profit-generating research, arts and humanities departments in particular are in peril. This flies in the face of Gard’s own legacy in Wisconsin. There is a forgetting, as Gard points out, that the arts “enable the individual to explore the creative potential of his intellectual and emotional self, and … can result in new understanding of the human environment.”

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Why We Celebrate: The Power of Youth Voice

Posted by Jeff Poulin, Sep 15, 2017 0 comments

We don’t empower young people for the simple concept of empowering young people—but instead because it is the right thing to do. How dare we sit around as adults to discuss the future of arts education without the young people who participate and benefit from that arts education present? Additionally, I know that from experiences like advocating publicly, we are building the leadership skills of the next generation through intergenerational dialogue and cyclical mentorship. We learn just as much from young people as they do from us. Lastly, we know that decision-makers respect the power of authentic youth voice, speaking from experience. So, my message this National Arts in Education Week is simple: Let us take the lead of our youth to support a shared vision for the future of arts education in America.

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Behind the Business: Learning about the 2017 BCA 10 Honorees, Best Businesses Partnering with Arts in America

Posted by Jessica Gaines, Sep 14, 2017 0 comments

On October 11, businesses of all types and sizes from all across the country—Vermont to Hawaii and eight states in between—will come together for the BCA 10 gala at the Central Park Boathouse in New York to be recognized by Americans for the Arts for their outstanding commitment to the arts. But WHO are these honorees? Learn more about their arts partnerships below including corporate performance groups, extensive art exhibits, and some fierce board leadership. 

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Feeling Threatened by Creativity? Here’s the Antidote

Posted by Jessica Gaines, Aug 31, 2017 0 comments

After reading the article “Most People are Secretly Threatened by Creativity,” I was depleted and infuriated. Creativity is the backbone of most of my identity as well as nearly 100% of the people I have come to know in varying communities including arts administration, marketing, event and hospitality management, and performing arts—even my engineering-focused friends at my alma mater were open-minded, creative vessels. So, what is with this idea that creativity is threatening?

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Leading from the Front: Arts Advocacy Strategies for the Public Sector

Posted by Mr. Ryan Antony Nicotra, Aug 30, 2017 0 comments

What does adaptive leadership and effective advocacy look like for those working in the public sector? Over the course of the past year, I began seriously wondering how public employees might be able to take an active role in raising political support for cultural agencies and state arts councils, within the legal restrictions that apply to their self-advocacy. I interviewed arts leaders in six states to find out how they were steering their agencies to serve many diverse publics within their state in spite of significant political and economic challenges—and in some cases, a lingering threat of elimination.

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