In the spirit of the recent conversation on ArtsBlog, Emerging Ideas: Seeking and Celebrating the Spark of Innovation, I thought it would be interesting to talk to a curator about how he makes room for the unfamiliar in his work.
Douglas Laustsen is a music educator and trombonist based in New Jersey who runs a radio program called “Endless Possibilities” on WRSU, Rutgers University’s college radio station. We decided to continue a discussion we began on Twitter a few months ago about curatorship and new music.
Our discussion was published in two parts here on ARTSblog:
You mentioned that the recordings people send you tend to be more polished than you expected. On the one hand, that perhaps makes for a better listening experience, but on the other, it perhaps gets away a little bit from the original vision for Explorations. How do you negotiate that tension in your curation process?
It is interesting, to me at least, that I've had to be more concerned with creating a ceiling for the segment than a floor. Luckily, I have space during the rest of my show to feature music I don't find appropriate for Explorations, and I have played submissions outside of Explorations as a way to promote a piece and maintain the spirit of the segment. Clearly there is a lot gray area in making this determination, but over time my familiarity with the new music world has made this judgement a lot easier.Read More