Blog Posts for for artists

Hôtel du Nord: You Can Check Out, But It Will Never Leave You

Posted by Tom Borrup, Feb 06, 2015 1 comment

I’ve had many great opportunities to witness how different communities organize themselves through, around, or into arts and cultural districts. In September, 2014, I had the pleasure of visiting a community in Marseille (800,000 population) in the south of France, a cluster of 8 small neighborhoods that formed a fascinating and alluring heritage and creative district with an approach I hadn’t seen in the United States.

Marseille was motivated by the opportunity to serve as European Capital of Culture for 2013, an effort that brought together players across government, creative, and business sectors to build working relationships like they never had before. The now 30-year-old Capital of Culture program rotates through the nations of the EU selecting cities to show off their distinctive creative and cultural assets. A total of 75 municipal entities in the Provence region (1.8 million population) – an area with no history of regional planning and little cooperation – demonstrated unprecedented unity and cultural vitality for their year in the European spotlight. It was branded Marseille-Provence 2013 or MP2013.

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In Rhode Island, Size Often Matters… Even When It Comes to Cultural Districts

Posted by Randall Rosenbaum, Feb 06, 2015 0 comments

Size drives a lot of policy discussions in Rhode Island. We are, after all, a unit of measure. “That iceberg off the coast of Nova Scotia is about the size of Rhode Island.” But for Rhode Islanders we take pride in how our small state is an intimate place, and we discuss ways we can use that intimacy to our advantage.

Twenty-plus years ago we were one of the first states in the nation to establish cultural districts in select communities. These districts had two distinct but complimentary goals: the first was to attract an art-buying (and money-spending) public, and the second was to encourage artists to live and work in areas that would benefit greatly from their presence.

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Neighbors and Strangers

Posted by Caron Atlas, Feb 03, 2015 0 comments

“We fought poverty, violence and blight, and we made the Southside a better place to live. We are now strangers in our own neighborhood, and it’s painful.”

These words from longtime Brooklyn resident and community leader Evelyn Cruz at a forum about gentrification in Williamsburg have stuck with me for years. I thought of them as we created Naturally Occurring Cultural Districts New York (NOCD-NY), a citywide alliance of artists, cultural organizations, and community leaders coming together to revitalize New York City from the neighborhood up. And I’m thinking about them now as I write this blog about cultural districts and communities as catalysts of change. How can we make sure that our work does not make people strangers in their own neighborhoods?

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Building Capacity–The Silicon Valley Way

Posted by Mr. Joshua Russell, Jan 22, 2015 4 comments

As a long-time re-granting organization, Silicon Valley Creates knows how critically important money is to our arts and culture ecosystem. Organizations will also prioritize funding before any other form of support.

But when Arts Council Silicon Valley, a 30-year old United Arts Fund, merged with 1stACT Silicon Valley, a community catalyst, to form Silicon Valley Creates just over a year ago, we opted to take a new approach to how we strengthen our creative ecosystem–which was one of four main goals in our strategic plan.

So we developed a framework (pdf) of what we believe to be the key elements to a sustainable artist or arts organization in Silicon Valley.

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Using Art for Data Collection

Posted by Crystal Benavides, Jan 13, 2015 6 comments

Inspired by the shift toward outcome-driven art projects, I was struck by arts potential to be used as a technique for data collection. When we look at art, we tend to focus primarily on its aesthetic and emotive qualities. We think about art as the result of an action and not as a conduit or vehicle leading up to a result. For example, the creation of a painting begins by gathering materials (canvas, brushes, and paint) and using these materials to create a painting.

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Ae$thetics and Social ¢hange

Posted by Anitra Budd, Nov 20, 2014 0 comments

Anitra Budd Anitra Budd

When I was asked to write an entry for this blog salon, I was excited. When I noted the topic, aesthetics and social change, I was alarmed. In trying to analyze this instinctual sense of danger, I realized that the root of my feeling was my conflation of aesthetics with judgment.

The term aesthetics, like Walt Whitman, contains multitudes (take a look at this chapter by art history and education scholar Terry Barrett for a great discussion of the concept’s many dimensions). To consider aesthetics largely in terms of assessment and discernment is limiting, but not unusual.

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