Blog Posts for cultural equity

Thank you to the many people who have been blog contributors to, and readers of ArtsBlog over the years. ArtsBlog has long been a space where we uplifted stories from the field that demonstrated how the arts strengthen our communities socially, educationally, and economically; where trends and issues and controversies were called out; and advocacy tools were provided to help you make the case for more arts funding and favorable arts policies.

As part of Americans for the Arts’ recent Strategic Realignment Process, we were asked to evaluate our storytelling communications platforms and evolve the way we share content. As a result, we launched the Designing Our Destiny portal to explore new ways of telling stories and sharing information, one that is consistent with our longtime practice of, “No numbers without a story, and no stories without a number.”

As we put our energy into developing this platform and reevaluate our communications strategies, we have put ArtsBlog on hold. That is, you can read past blog posts, but we are not posting new ones. You can look to the Designing Our Destiny portal and our news items feed on the Americans for the Arts website for stories you would have seen in ArtsBlog in the past.

ArtsBlog will remain online through this year as we determine the best way to archive this valuable resource and the knowledge you’ve shared here.

As ever, we are grateful for your participation in ArtsBlog and thank you for your work in advancing the arts. It is important, and you are important for doing it.


Isaac Fitzsimons

The Creative Impact of COVID-19 on Intentionally Marginalized Artists and Creative Workers

Posted by Isaac Fitzsimons, Apr 01, 2021 0 comments


Isaac Fitzsimons

In the initial days of the pandemic, I—like many of you, I’m sure—imagined that I’d have so much more time to create. As a writer, I envisioned using what would have been my commute to crank out the draft of my next novel. However, my good intentions quickly faded as the reality of living through a pandemic set in. I find some comfort in knowing that I’m not alone. Our survey of artists and creative workers found that 64% experienced a decrease in their creative productivity during the pandemic. Much of this decrease is due to logistical reasons: in-person events have been cancelled, venues have been closed. Additionally, artists are finding that their time is being spent on other responsibilities: homeschooling kids, taking care of elderly parents, or sifting through grant or loan applications to supplement lost income. Plus, it’s hard to create when everything around you feels like a fire that needs to be put out. Perhaps not surprisingly, over half (53%) responded that their decline in productivity was due to stress, anxiety, and depression about the state of the world, and 19% said that their health or their family’s health had been impacted by COVID-19, preventing them from working. This last finding was true for 25% of BIPOC respondents, compared to 15% of white respondents. 

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Mr. John W. Haworth

Alan Michelson’s Public Art: History and Place Matter a Lot

Posted by Mr. John W. Haworth, Mar 19, 2021 0 comments


Mr. John W. Haworth

According to the artist Alan Michelson—a Mohawk member of the Six Nations of the Grand River who is currently based in New York—history is unfinished business demanding our attention. He believes that American history needs to address some hard truths if we are ever to progress beyond this tragic juncture. Alan also believes that the arts generally, and public art in particular, play significant roles both in addressing complex issues and making important social change. From his Indigenous world view, the violent and fraudulent dispossession of Native people is a significant issue that must be front and center in the national discourse. He has contributed considerably to this discourse, especially in the last couple of years. The Whitney Museum presented his solo exhibition Wolf Nation (Oct. 25, 2019 through Jan. 12, 2020) and College Art Association named him one of their two Distinguished Artists for their 2021 conference. He has made substantive contributions to the national cultural conversation for years. As Alan conveys, “My work is very much grounded in the local, in place, and place can be fraught when you’re Indigenous.” From his perspective, understanding the historical and cultural dynamics of place is at the heart of his work. 

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Mr. Clayton W. Lord

10 Trends that Will Impact Arts, Culture, and the Creative Economy in 2021

Posted by Mr. Clayton W. Lord, Mar 16, 2021 0 comments


Mr. Clayton W. Lord

About this time last year, Americans for the Arts staff put our heads together to create a “Trends in 2020” blog post. We didn’t anticipate an economy-grinding pandemic, which has devastatingly shaped everything this past year, but we did hit some of the other trends that occurred—demographic change, rising division and distrust, shifts towards equity, the fight over who would get to vote and political power, and the primacy of data. Across the arts field, most of us would agree that 2020 was a humbling, surprising, traumatic, and frustratingly unpredictable year. While trend forecasting in this moment is a tricky business, understanding what might be coming around the bend is crucial to our success as a field, particularly as we navigate such a volatile time. Who knows, honestly, what 2021 will bring—but the staff at Americans for the Arts got together (virtually, this time) and here’s what we’ve come up with—10 trends that we think will impact arts, culture, and the creative economy in 2021.

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Cedeem Gumbs

Arts Spaces for Queer BIPOC During COVID: Paris Has Burned

Posted by Cedeem Gumbs, Mar 15, 2021 0 comments


Cedeem Gumbs

Community as a concept is understood universally; in function its possibilities are inherently dynamic. However, community becomes a necessity when it supersedes formation through common interests and is developed by way of shared experiences. For some queer individuals, and specifically ones of color, the ballroom scene is an example of a community formed through the need to have a space where everyone understands each other through shared experience. In interviewing Noelle Deleon, a Black trans woman from Texas, we are allowed insight into the ballroom community that she recently found herself a part of. When asked about the importance of ballroom she says, “It's where queer men and trans women can go to be free. There is an absence of the influence and presence of people who don’t understand us.” However, there is an elephant in the (ball)room, and that is COVID-19. What happens to trans women when it is no longer safe to host these grand balls with hundreds of other people in the room? 

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Ms. Elizabeth B. Yntema


Hannah McCarthy

Connecting the Dots: Why the SheCession Is an Arts Story

Posted by Ms. Elizabeth B. Yntema, Hannah McCarthy, Mar 11, 2021 0 comments


Ms. Elizabeth B. Yntema


Hannah McCarthy

Women in the United States suffered a net loss of over 5 million jobs in the first 10 months of the COVID-19 pandemic, the majority of which were held by women of color, wiping out at least a generation’s worth of progress in the workplace. As women continue to bear the brunt of childcare and domestic responsibilities, many are left wondering if their hard-won positions will ever be restored. Meanwhile, the U.S. arts and culture sector has suffered an estimated $15.2 billion in financial losses (admissions, non-admissions and expenditures), as performing arts organizations also are dealing with an additional estimated $15.5 billion reduction in sales and audience spending. These are two devastating blows to the U.S. economy, yet they are too often treated as if they are separate issues needing wholly different solutions. Federally mandated paid family and medical leave would offer women, especially women in the arts, the ability to maintain their jobs, destigmatize familial responsibility in the workplace, and pour billions of dollars back into the U.S. economy.

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Isaac Fitzsimons

The Social Impact of COVID-19 on Intentionally Marginalized Artists and Creative Workers

Posted by Isaac Fitzsimons, Mar 02, 2021 0 comments


Isaac Fitzsimons

As we continue to report on the dire impact that COVID-19 has had on the arts and cultural sector, one question that frequently comes up at Americans for the Arts is: What can be done to prevent this from ever happening again? I won’t attempt to tackle that question in this blog post, but I will be discussing some of the lived experiences of artists and creative workers that emphasize the need for building an infrastructure where artists and creative workers can thrive. Our survey findings shed light on the hardships that artists and creative workers are facing. It’s important to note, however, that many of these conditions have existed long prior to the pandemic. We must work to dismantle the systems that have allowed these conditions to continue and rebuild anew to create a better future for artists and creative workers in this country.

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