Blog Posts for cultural equity

A Humane Framework for Creative Practice

Posted by Linda Essig, Jul 24, 2017 0 comments

Aesthetic Perspectives is described as “a guide for description rather than a scorecard.” This is an apt explanation; it provides a framework for use by an evaluator rather than a rubric for evaluation itself. As such, there are aspects of Aesthetic Perspectives that are particularly useful or important and a few elements that raise some questions for me.

Read More

Wake Up to a New Day

Posted by Pam Korza, Jul 24, 2017 0 comments

Notions of excellence and equity are linked and increasingly demand that we attend to both the positive and negative ways they intersect in policies, practices, and decisions. Which artists get opportunities, who gains resources, how are arts and cultural practices understood and valued by critics, audiences, and gatekeepers? Our Excellence and Equity Blog Salon explores these questions and provides guidance in the form of Animating Democracy's new framework Aesthetic Perspectives: Attributes of Excellence in Arts for Change.

Read More

Reflections on the 2017 Americans for the Arts Annual Convention: Framing is Everything—Social Impact Opportunities in the Arts

Posted by Ms. Mariama Holman, Jun 29, 2017 0 comments

Framing is the narrative one creates about ideas, pictures, symbols—the impressions formed about oneself, others, and the environment they inhabit. Non-profit and for-profit are simply tax delineators, but an entire world of framing has developed within those terms, where some organizations see themselves as charities rather than economic and social value producers. In truth, arts organizations do not come to society requesting a “hand out,” but offer a “hand full”—building more socially equitable, sustainable, and economically prosperous communities. With this “hand full” mentality, arts organizations are value producers, like businesses.

Read More

Audience Demographics: The Complexities of Intersectionality

Posted by Kevin Seaman, Jun 13, 2017 0 comments

As an organization that has always been led by a majority of queer people of color, I knew that the National Queer Arts Festival (NQAF) survey needed to be able to capture the unique intersections of the organization’s artists and audiences. I also knew that I wouldn’t be able to neatly categorize the complexity of queer identity … but I could try. The underlying principle of the survey and its synthesis needed to be rooted in multiplicity and intersectionality; to allow complex gender and sexual identity to be celebrated rather than stripped down to fit into a single box.

Read More

Maine’s Statewide Census in Arts Education

Posted by Ms. Argy Nestor, May 03, 2017 0 comments

An amazing collaboration in the state of Maine occurred when the Maine Arts Commission enlisted Noel Paul Stookey (the famed singer-songwriter) of Peter, Paul, and Mary to champion the statewide arts education census. The year-long effort achieved a stunning 95% response rate—making it the highest voluntary response rate on record nationally for a survey of this type. Responding principals noted that an important outcome of the census would be to advocate for assessment polices for arts education in order to gather Maine-centric, rather than national, data points that demonstrate the impact of arts education on student performance.

Read More

Pages