Blog Posts for Convention

Branding Your Neighborhood, Town, or City

Posted by Cally Vennare, Jun 24, 2013 1 comment

Cally Vennare Cally Vennare

How do you utilize the arts to foster civic identity, cultivate tourism, and brand your city, town or neighborhood?

Four arts leaders. Four diverse markets. Four distinct audience segments. While the cities and circumstances may differ, their authentic and creative approach to problem solving, consensus building, and collaboration did not. Here are their key insights and takeaways from last week’s 2013 Americans for the Arts Convention.

Andrew M. Witt, St. Johns Cultural Council (St. Augustine, Florida)
“Be real. Find the asset in the community that is going to be of interest to someone not in your community and sell that in a realistic way. The worst thing that can happen is to not meet (customer) expectations. If you don’t, they’ll tell 10 people; if you exceed expectations, they’ll tell 2 people. So you have to deliver on the promise you made.”
Learn more about the work of the St. Johns Cultural Council here.  

Robert Vodnoy, Aberdeen University/Civic Symphony (Aberdeen, South Dakota)
“The lesson in all the different stories that I told you is: the general impulse of the community is to have civic pride and not want to touch the stories that are problematic. Or to sanitize them. But I think the cultural tourist is more interested in the whole story. So I think the challenge is to get the civic identity to embrace its complete self, and not to walk away from what is actually a rich story just because it’s a little ‘icky.’ It’s a tougher story, but it’s a much more interesting narrative. Embrace the dark side.”
Learn more about the Aberdeen University/Civic Symphony here.

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Follow Along at the 2013 Annual Convention

Posted by Ms. Caitlin Holland, Jun 15, 2013 0 comments

8619_10151402651177805_379340572_nNot everyone can join us here in Pittsburgh at the 2013 Annual Convention and preconferences, but we've tried to make it as easy as possible to follow all the action online. The best place to take part "virtually" is the Convention Homepage.

You'll find links to the three livestreamed general sessions, our Flickr photo feed, ARTSblog posts written about the Convention, and the Twitter feed. You can also follow everything on Twitter directly by searching with the #afta13 hashtag.

Check back often for new photos and content!

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Public Art Projects from Concecption to Installation

Posted by Nadine Wasserman, Jun 15, 2013 1 comment

Nadine Wasserman Nadine Wasserman

As part of the Annual 2013 Americans for the Arts National Conference, the Public Art Network (PAN) Preconference, presents the opportunity for public art professionals to explore all aspects of their field from invigorating communities to behind-the-scenes negotiations such as planning, fund raising, and working collaboratively with artists, architects, engineers, fabricators, city planners, and so on.

Like any worthwhile artistic production, good public art requires delicate negotiations, collaborations, and most importantly flexibility and adaptability. One of the many panels at PAN this year took a look at how the end result can often be very different from the initial prospectus. The panel, titled “Between the Lip and the Cup: How Projects Change from Initial Process to Final Installation,” was made up of four different professionals: Cath Brunner, Director, Public Art 4Culture, Seattle, WA; Stacy Levy, artist, Sere, Ltd., Spring Mills, PA; Natalie Plecity, Landscape Architect, Pittsburgh, PA; and Janet Zweig, artist, Brooklyn, NY.

The panel used examples to demonstrate how changes and unpredictable circumstances are inevitable at all phases of a project but they can be successfully managed in order to create the “best” outcomes for all stakeholders.
Ms. Zweig talked about two of her projects. One was for Maplewood, a neighborhood in St. Louis.  Her first proposal to create a digital sign proved cost prohibitive so she revised her plan. In the end her signs were made of recycled materials taken from bungalows that were scheduled for demolition in the neighborhood. One of the signs was intentionally installed backwards so that drivers passing by could read it in their rearview mirrors. Serendipitously, it was this aspect of the project that created a buzz and got the neighborhood the recognition it was seeking.

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Year in Review, Public Art Network preconference

Posted by Nadine Wasserman, Jun 14, 2013 3 comments

Nadine Wasserman Nadine Wasserman

Each year as a highlight of the Public Art Network’s preconference, a panel of jurors presents its selection of exemplary public art projects from the previous year. The 2013 Year in Review jurors were Justine Topfer, Curator, Out of the Box Projects & Project Manager, San Francisco Arts Commission, CA; Norie Sato, Artist, Seattle, WA; and John Carson, Artist and Head of the School of Art, Carnegie Mellon University, Pittsburgh, PA.From 350 submissions they selected 50 that were completed in 2012.

Since 2000, PAN’s Year in Review uses an open call submission process from which the panel selects up to 50 projects that represent the most compelling works from across the country. This year’s jury prefaced their presentation by explaining that although they had different points of view they agreed on all of the choices and were careful to recuse themselves during the deliberations from those projects where there had conflicts of interest.

In their introduction, the panel explained that this year they noticed an increased number of projects using light and technology, an interesting trend towards multiple or groups of artists working on one project, and the use of different funding sources with an increase in the number of projects initiated and funded by private developers. They also noted that there were fewer land-based projects and that in general it seems that the field is getting broader.

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Envisioning a City of Artists with “Soulful Stakes”

Posted by Kyle Bostian, May 31, 2013 2 comments

Kyle Bostian Kyle Bostian

Pittsburgh is widely – and deservedly – touted for its transformation from declining industrial center to post-industrial success story, with much attention devoted to the role played by the arts in that (ongoing) process. The site of the 2013 Americans for the Arts Annual Convention, downtown’s Cultural District, represents a shining example of how artistic activity can help drive an economic recovery.

But in many neighborhoods the transition isn’t quite as far along; in some, it’s barely begun. And, for me and plenty of other Pittsburgh residents, that raises questions about how artists – often among the “avant-garde” (regardless of the style of their work) in terms of moving into and restoring “blighted” areas – might strive to make the most of the opportunities presented to them there. In my case (and I’m by no means alone in this respect), these questions go beyond the relationship between artistic activity and economic revitalization to encompass broader aspects of community building, accessibility, and social justice.

As a citizen-artist-activist, I appreciate the feeling of community that the arts often generate among participants. I’m particularly interested in and devote some of my own creative energy to projects that address issues (social, economic, political) with direct relevance to local populations. I’m passionate about the work I do along those lines. At the same time, I wonder if there are ways I could use my creativity to engage more deeply with my communities and have a greater impact. That’s why I was struck so powerfully by the words of one panelist at a recent Pittsburgh Emerging Arts Leaders Network forum on “Arts as Urban Renewal.”

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The One Not to Miss

Posted by Mara Walker, May 28, 2013 0 comments

Mara Walker Mara Walker

June seems like convention season in the arts world. There are lots of national arts organizations developing educational and networking programs for their constituents.  If you are an arts discipline organization like a theatre or chorus or a service organization like a local arts agency there is a gathering for you next month.

Why choose the Americans for the Arts convention? Sure, it has workshops like other conferences and we cover topics like finding creative funding sources for your work, getting arts supportive local ballots passed, mapping your cultural ecosystem, serving diverse audiences, working toward equitable funding for the arts and much more. Naturally, it has receptions at amazing venues like The Andy Warhol Museum and the Mattress Factory. Yes, it has amazing award winning, game-changing speakers like Jim Messina, Manuel Pastor, Bill Strickland, Paula Kerger, Gary Knell, Quiara Alegría Hudes, Adam Goldman, Matt Arrigo, Tim McClimon and Edgar Smith. And there will be plenty of opportunity to hear from peers, colleagues and decision makers about how they are ensuring the arts are sustained and seen as core to building better communities.

We’ve picked an amazing city, Pittsburgh, for the convention where you can literally see the arts making a difference as you walk down Liberty Avenue. In return, Pittsburgh has the Three River Arts Festival, Gay Pride and baseball games taking place while we are there, June 14-16, so you can have the best of times.

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