For Member Artist Gina K., Creative Clay is more than the place she goes three times a week to create exhibit-worthy art that is sold online and in the Good Folk Gallery. “It broke my heart when Creative Clay closed,” Gina said. “That’s the truth.” On March 19, 2020, Creative Clay was forced to close its physical location and cease regular programming due to COVID-19. The St. Petersburg, Florida nonprofit’s two largest programs, Community Arts and the Art Around the World inclusive summer camp, were closed. Before COVID-19, Creative Clay’s Community Arts Program served 50 individuals with neuro-differences, ages 18 and older, Monday through Friday. As many businesses reopened in late spring 2020, Creative Clay remained closed out of an abundance of caution to protect member artists. With a grant from the Community Foundation of Tampa Bay and a donation from Creative Clay board member Hal Freedman and his wife, Willi Rudowsky, Creative Clay Connects virtual classes launched. Donations from several other Creative Clay board members and donors helped fund individual artist kits and pay teaching artists. “I felt really happy because I was able to do art on my own, and it meant that I got to do more art,” said Member Artist Marissa H. “The classes allowed me to expand my art-making abilities.” Through Creative Clay Connects, Creative Clay has honored its vision of arts access for all. While members haven’t been able to meet in person, it doesn’t mean they aren’t connecting.

Located in Chicago’s Humboldt Park, the National Museum of Puerto Rican Arts & Culture (NMPRAC) is the only museum in the country outside of Puerto Rico dedicated exclusively to Puerto Rican arts and culture. Under Billy Ocasio’s leadership as executive director, the museum’s budget has tripled, staffing has grown, and visitor attendance has increased 67%. In 2012, NMPRAC was named the latest City of Chicago’s Museums in the Park, making history as the first new addition in over 20 years. “At NMPRAC, our vision is to be the premier organization that both influences and connects diasporic arts, culture, and history to evolving generations. Supporting both local and national Puerto Rican artists has always been important to the museum. To this day, finding new and creative ways to engage with our communities remains a top priority and can be witnessed through our programming, including the annual Barrio Arts Fest, various workshops, lectures, and panel discussions, as well as through exhibiting work from Puerto Rican artists.” 

According to the artist Alan Michelson—a Mohawk member of the Six Nations of the Grand River who is currently based in New York—history is unfinished business demanding our attention. He believes that American history needs to address some hard truths if we are ever to progress beyond this tragic juncture. Alan also believes that the arts generally, and public art in particular, play significant roles both in addressing complex issues and making important social change. From his Indigenous world view, the violent and fraudulent dispossession of Native people is a significant issue that must be front and center in the national discourse. He has contributed considerably to this discourse, especially in the last couple of years. The Whitney Museum presented his solo exhibition Wolf Nation (Oct. 25, 2019 through Jan. 12, 2020) and College Art Association named him one of their two Distinguished Artists for their 2021 conference. He has made substantive contributions to the national cultural conversation for years. As Alan conveys, “My work is very much grounded in the local, in place, and place can be fraught when you’re Indigenous.” From his perspective, understanding the historical and cultural dynamics of place is at the heart of his work. 

For me, handmade objects have “sparked joy” long before Marie Kondo became a household name. A fine craft collector invests in the artist and the story of the artist. The artist’s journey to learn their craft is a part of that object. As many of us re-learned in 2020, our conscious choices to purchase local and handmade have reverberations through our community and country. I serve the Pennsylvania Guild of Craftsmen (PGC) as its Executive Director. Founded in 1944, and headquartered currently in Lancaster, PA, the PGC is one of the oldest and largest professional craft guilds in the country. The PGC was born out of an effort to promote wider awareness of the contributions that craft can bring to a community through the stimulation of achievement and enrichment of cultural, aesthetic, and educational interests. Its very existence was inspired by the recommendation of First Lady Eleanor Roosevelt to find ways of transferring wartime skills to peacetime work. Our state’s fine crafts are not just beautiful, useful objects; they also demonstrate Pennsylvanian practicality and authenticity, speaking to our state’s historical Quaker roots.

Over the past year, arts marketing as a discipline has weathered as many changes as the industry we support. From the work that we do, to the roles that we occupy within organizations, and the ways that we relate to one another—everything is in the process of evolution right now.

Located in Appleton, Wisconsin, the Fox Cities Performing Arts Center presents the best touring Broadway and performing arts productions from around the world. As president, Maria Van Laanen leads a dynamic team dedicated to delivering the Center’s mission of serving as a gathering place for the community to engage in educational opportunities and enhance understanding and enjoyment of life through the creation and presentation of the arts. “I am a passionate believer in the power of the arts to inspire and uplift an individual to see and reach for a life beyond their current circumstances and to gain a sense of community and belonging. When you scale that up to a community level, the arts have the power to bring people together in a unique way where they are willing to experience different viewpoints or ideologies in a way that might lead to understanding and acceptance.”