Thank you to the many people who have been blog contributors to, and readers of ArtsBlog over the years. ArtsBlog has long been a space where we uplifted stories from the field that demonstrated how the arts strengthen our communities socially, educationally, and economically; where trends and issues and controversies were called out; and advocacy tools were provided to help you make the case for more arts funding and favorable arts policies.

As part of Americans for the Arts’ recent Strategic Realignment Process, we were asked to evaluate our storytelling communications platforms and evolve the way we share content. As a result, we launched the Designing Our Destiny portal to explore new ways of telling stories and sharing information, one that is consistent with our longtime practice of, “No numbers without a story, and no stories without a number.”

As we put our energy into developing this platform and reevaluate our communications strategies, we have put ArtsBlog on hold. That is, you can read past blog posts, but we are not posting new ones. You can look to the Designing Our Destiny portal and our news items feed on the Americans for the Arts website for stories you would have seen in ArtsBlog in the past.

ArtsBlog will remain online through this year as we determine the best way to archive this valuable resource and the knowledge you’ve shared here.

As ever, we are grateful for your participation in ArtsBlog and thank you for your work in advancing the arts. It is important, and you are important for doing it.


Miriam King

Champions of Change Makers: Follow Your Leader

Posted by Miriam King, Dec 15, 2021 0 comments


Miriam King

Read on for takeaways from the November Arts Marketing Coffee Chat “Champions of Change Makers: Follow Your Leader,” where senior marketing leaders explored how to reaffirm purpose and passion for their work as leaders of change-making in the arts.

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Linda Lombardi

Member Spotlight: Ariani Huguenin

Posted by Linda Lombardi, Nov 29, 2021 0 comments


Linda Lombardi

As Program Manager, Ariani Huguenin provides support for Cathedral Arts Project’s (CAP) direct service programs by ensuring Northeast Florida’s teaching artists and students receive the resources and support they need. Since joining CAP in 2017, Huguenin’s portfolio of work has included volunteer engagement, family communication, logistics coordination, and teaching artist support. “Arts education starts with technical skills and leads to life skills that empower students to know their worth and think creatively to problem-solve. At CAP, we have been able to track ‘Why The Arts’ matter through student attendance, behavior, and grade improvement. Quantifiable measures are wonderful, but the greatest impact of arts education is seen in the students that wanted to give up, but persevered and learned something new.”

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Linda Lombardi

Member Spotlight: Elizabeth Reitz Mullenix

Posted by Linda Lombardi, Nov 23, 2021 0 comments


Linda Lombardi

Elizabeth Reitz Mullenix is the Dean of the College of Creative Arts and a professor of theater at Miami University in Ohio, where she teaches courses in world stages and American theater. As a theater historian, Mullenix writes about Antebellum culture/theater, cross-dressing, the American Civil War, first wave feminism, and gender/feminist theory. “I think theater has always been a great way to promote social change because it has the power to educate, raise consciousness, and emotionally impact audiences. The intimacy created by live theater affects people—audiences experience stories shared in real time by real people, stories about oppression and prejudice and how the world needs to change. Good theater can make people care and make them think.”

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Mr. John W. Haworth

Sustaining and Advancing Indigenous Cultures at the Association of Tribal Archives, Libraries, and Museums

Posted by Mr. John W. Haworth, Nov 19, 2021 0 comments


Mr. John W. Haworth

Over the last couple of years especially, the major national arts service and membership organizations have given greater attention to engaging diverse communities more effectively. Building meaningful dynamic and collaborative relationships with community-based partners informs programming and audience building work. Working effectively with organizations serving diverse communities has become an ever-higher priority for state, regional, and local arts agencies throughout the country. Addressing cultural equity in tangible and effective ways is critically important for all of us, including how arts organizations recruit staff and identify board candidates. With a heightened awareness in our society about these issues during this time of major social and political change, the work of organizations like the Association of Tribal Archives, Libraries, and Museums (ATALM) takes on even greater significance. Becoming more familiar with the work of ATALM (and likewise with similar organizations serving diverse organizations) gives professionals working in local arts agencies both a better understanding of key issues, as well as connections to colleagues in the Native cultural field, to help them address these crucial matters. 

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Dr. Melissa Akaka

Three Insights Tools for Increasing Audience Engagement

Posted by Dr. Melissa Akaka, Oct 29, 2021 0 comments


Dr. Melissa Akaka

In the recent Arts Marketing Coffee Chat entitled “Research & Data: What Do You Need?” I shared the process for how arts organizations can address a specific a business problem by identifying data that an organization has or needs, which can provide insights into developing an effective solution. 

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Linda Lombardi

Member Spotlight: Asiyah Kurtz

Posted by Linda Lombardi, Oct 25, 2021 0 comments


Linda Lombardi

Located in Camden, New Jersey, Camden FireWorks is a Black-led, community-based arts organization that works to grow, gather, and invest in artists and artists-to-be in the Camden community. Executive Director Asiyah Kurtz is an applied anthropologist with 20 years of experience in leadership of private, nonprofit, and public sectors. “As a young arts organization, we had previously only relied on volunteers to teach our open studio workshops for our first five years of operations. With the support of our Board, one of the changes I made this year was to pay a meaningful wage to teaching artists for their time, labor, and talent. If I have anything to do with it, there will be no starving artists in Camden.” 

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