The Native Arts and Cultures Foundation (NACF) is the only national philanthropic organization focused exclusively on Native arts and cultures with a deep commitment to supporting Native artists in a spirit of advancing equity and cultural knowledge for American Indian, Native Hawaiian, and Alaska Native communities. NACF is especially active in supporting artists responding to economic justice and environment issues. Its SHIFT – Transformative Change and Indigenous Arts program gives artists opportunities to work with communities to examine complex issues from a Native perspective, while LIFT – Early Career Support for Native Artists encourages artists to develop projects that advance positive social change at the community level. And through Mentor Artist Fellowships, emphasis is put on opportunities for contemporary Native artists working both in traditional and contemporary practice to deepen their connections to the artistic traditions and heritages of their tribal communities.

Darlene McClinton is the grants manager for ArtsGreensboro, a community-supported nonprofit organization and the largest public and private alliance dedicated to sustaining the Greensboro, North Carolina, arts economy. McClinton also is an artist, educator, entrepreneur, collaborator, ally, and advocate. Since joining ArtsGreensboro in December 2019, she has made a significant difference in their outreach efforts, diversifying their grant pool, and expanding their artist support grant applications over 400% from the previous year. This post is the latest in our series featuring the many Americans for the Arts members doing transformative work for arts education, public art, advocacy, arts marketing, and more.

On the morning of June 30, 2021, a new and unexpected threat to a pro-arts piece of federal legislation became apparent. The full U.S. House of Representatives was beginning final consideration of the INVEST in America Act of 2021 (H.R. 3684), which included an arts and transit provision that had not attracted any opposition—until an amendment from Rep. Bob Gibbs (R-OH) aimed to strike the pro-arts provision from the bill. Rep. Gibbs argued that that federal dollars shouldn’t be used for “feel-good frescoes and metro station murals.” What Rep. Gibbs and other opponents fail to realize is that the provision does not require art projects, but rather allows local transit authorities the option to hire artists and install public art in transit projects if they wish. And it doesn’t cost the federal government money, but rather allows local transit authorities the option to spend their budget hiring an artist if they want to. Arts-related votes on the floor of either chamber of Congress are a rarity, so a dynamic advocacy strategy becomes extremely important when one occurs—and in this case, Americans for the Arts marshalled every arts advocacy tool in our war chest in response.

ASSEMBLY for CHINATOWN was launched in collaboration with A+A+A Studio to build outdoor dining spaces at no cost to Chinatown businesses. We design, source materials from Chinatown vendors, and construct Department of Transportation (DOT) compliant dining barriers for restaurants. Artists beautify and personalize the space for the restaurants with the help of volunteers who come (socially distanced) together in a help-a-thon to sand and paint the wood barriers. The mural project came into play with our first artist, Kat Lam, who reached out to ask if we wanted her to paint one of the barriers. Her style matched with the business owners, so we moved forward. She contributed her vision as a muralist and we decided to do that for all the barricades to enliven the space and the neighborhood. People want to be part of this community project. Painting is such a gratifying way to work together. Whenever the volunteers walk by, they feel ownership and want to patronize the business. 

Since its inception, the Arts Council of Indianapolis has provided programs and services to the citizens of central Indiana, and to hundreds of artists and arts organizations. Vice President of Community Impact and Investment Ernest Disney-Britton’s areas of focus include grantmaking, arts education, impact research, and equity partnerships. He provides support for arts organizations and individuals who apply for grant and fellowship funding through the Annual Grant Program, Creative Renewal Arts Fellowship, Robert D. Beckmann Jr. Emerging Artist Fellowship, and Transformational Impact Fellowship. Additionally, he coordinates the Any Given Child Indy program that is creating a long-range arts education plan for students in grades K-8 in Indianapolis Public Schools.

As I reflect on my journey as an Arts & Culture Leaders of Color Fellow with Americans for the Arts, I am unsure of when I started referring to myself as an “arts administrator,” or if I have yet fully embraced the term. I’ve always lived and worked in the community engagement lane, in theater arenas. My resume reflects a career path synonymous with the definition of arts administrator, but I never really claimed that title out loud. I knew, however, that this fellowship would put me in community with other people of color outside of the American Regional Theater network. A space that I initially thought would be pure refuge from my (at the time) predominantly white working environment ended up being so much more. It was affirming, challenging, and, at times, liberating. I felt seen and inspired by my cohort of fellows.