The Significance of Arts Advocacy: A Graduate Student Perspective
W.E.B. DuBois once said that we should “begin with art, because art tries to take us outside ourselves. It is a matter of trying to create an atmosphere and context, so conversation can flow black and forth and we can be influenced by each other.” As I read this quote during the final stretch of my undergrad years at Saint Louis University, I had just became an art history minor. Though I held a deep admiration for visual arts as well as the critical analysis of the work, I had absolutely no idea where I would end up with a liberal arts degree. It was not until I was perusing the internet that I was drawn to American University’s Arts Management program. Now, a little over a year later, I have been fortunate enough to not only be a full-time student of the Arts Management program but also the Government and Public Affairs intern at Americans for the Arts.
8 Times the Arts Saved the Day at Work
Whether focusing on employee engagement, customer appreciation, recruiting talent, or fostering community, these eight case studies, taken from a series of essays produced by the pARTnership Movement, showcase how today’s most innovative businesses are using the arts to help meet some of their most difficult and vital objectives.
The Time for Action is NOW
When the Arts Education Advisory Council met in Washington, one week before Inauguration Day, there was a feeling of uncertainty in the air. In our meetings we speculated on how this new presidency might impact the world of arts and education. The threat to eliminate funding for the National Endowment for the Arts hadn’t been voiced yet. The furor over Betsy DeVos as Education Secretary was just beginning. There was a sense of urgency in our conversation this year. What should we be doing in our communities to help be pro-active? At the end of our three days together, we were committed to advocacy work as never before.
How to Create A “Dark Post” On Facebook
Arts marketers, have you ever experimented with so-called “dark posts” on Facebook? There are lots of ways to use them to your advantage!
Top 10 Reasons to Support the Arts in 2017
As a young theater artist, I could always be counted on to step up and make a passionate plea when arts funding was on the line. I shared stories about myself and my colleagues with my legislators about how the arts are fundamental to our humanity. I wrote about how the arts ennoble and inspire us, fostering goodness and beauty. While I have never abandoned these arts-for-arts-sake messages in my advocacy, I have learned that they are rarely stand-alone winners. Today, I augment these fundamental benefits of the arts with pragmatic ones—stories and research that connect the arts to what keeps our community leaders awake at night: jobs, economy, education, healthcare, and community development. The change in my approach has made me a more effective advocate.
Arts, Humanities, and Public Broadcasting Funding Again at Risk
Seems like national funding for the arts, humanities, and public broadcast media may once again on the chopping block in Washington. Enflamed debates highlight fundamental disagreement over federal government funding priorities, and we can expect vituperative arguments again this spring as Congress determines budget appropriations. At the appropriate time, it will be incumbent on each of us to claim our cultural agency and let Congress know how essential the National Endowment for the Arts, National Endowment for the Humanities, and Corporation for Public Broadcasting are.
Our voice is strong and vital—let’s use it!
Arts marketers, this is our call to stand up and to use our powers for good. If there’s not a higher purpose to communicating about the arts, what's the point in filling up a building with people?
The Origins of the Massachusetts Cultural Facilities Program: Try, try again...
This is the story of how the Massachusetts Cultural Facilities Program came into being. It’s a story created through patience, persistence, and opportunity. It began as the mid-1990s approached, as a result of a constituent request for state assistance by the founder of the Yiddish Book Center, a nationally known cultural resource located on the campus of Hampshire College in Amherst, Massachusetts.
Robert Lynch Responds to Wall Street Journal Commentary Calling for an End to the NEA
Thank you to Patrick Courrielche (“Save the Arts by Ending the Endowment,” Jan. 25), who made an excellent case for protecting the National Endowment for the Arts and even increasing its appropriations. However, his letter needs to be read from the bottom up. Mr. Courrielche’s summary called for Congress and President Trump to create a robust, expanded national arts council, but that is in fact what the NEA is.
ArtWORKS PHX—Spotlighting Phoenix as a Creative Urban City
Phoenix Community Alliance (PCA) surveyed its business membership and found more than 80 percent believe that a city’s creative culture—including arts and public spaces—is vital to recruiting and retaining a talented workforce.
While this is no surprise, we were shocked when this group of business leaders rated Phoenix as a “5” on a 10-point scale with respect to arts and creative vibrancy. We, the leaders of PCA’s “Arts, Culture & Public Life Committee” knew better.
Two years later, taking this dismal community self-assessment to heart, PCA launched ArtWORKS PHX, a novel arts and business advocacy campaign shaped to increase community awareness about, and advocate for, the economic impact of Phoenix businesses partnering with the arts.
Making Disasters the New Normal
As a former regional arts agency executive who managed an arts center, I know how difficult it can be to prioritize emergency preparedness. In the context of an average day for an arts leader, preparedness typically does not take priority; after all, arts administrators oversee complex administrative and artistic operations to keep their organizations functioning. The probability of failure in meeting fundraising, budget, and attendance goals is significantly higher for an arts manager than the off chance of a data breach, server breakdown, active shooter, fire, or severe weather situation. However, our current social, cultural, and environmental climate is cause for any arts manager to consider emergency preparedness strategies just as they would other organizational priorities.