Americans for the Arts Joins Federal Amicus Brief in Support of Free Speech Rights of Congressional
Americans for the Arts joined 17 national, state, and local arts service organizations urging reversal of a ruling that permitted Architect of the Capitol Stephen Ayers to remove a painting by St. Louis high school student David Pulphus from a Congressional Art Competition exhibit at the U.S. Capitol. His allegorical post-Ferguson painting depicts a civil rights demonstration and includes two police officers with boar heads; one is pointing his gun at a protester with the head of wolf. The painting was removed under pressure from a small group of Congressmen, with the contention that the exhibition was “government speech” which the government could censor at will.
Dance for Brain and Body Health
As an undergraduate student at Wake Forest University studying Health and Exercise Science and aspiring to be a future physical therapist, I was excited when I learned about a pioneering Parkinson’s Disease dance class developed by Associate Professor of Dance Christina Soriano, which is now trademarked as her own IMPROVment™ method. Soriano has crafted a pedagogy of improvisational dance movement that aims to improve the mobility, balance, and overall health of older adults, giving participants a beautiful and joyous way to practice how to handle the challenges that a life with Parkinson’s—or any neurodegenerative disease—brings.
Monument to Change
Over the past year, public monuments have been scrutinized and reviewed: What are the roles of these artworks? What relevance do they play in history? In contemporary culture? And, what do they say about the community where they are located? Richmond, Virginia has been looking at their monuments and considering what is missing for quite some time. As Americans for the Arts was looking to enhance the tools we offer to the public art field, the story of a new monument to civil rights activist Maggle L. Walker in Richmond proved to be an ideal subject for a short-form documentary video.
Advancing Arts Locally
While we all work to serve audiences that are growing in diversity, we cannot prescribe the art that might engage our audience without engaging in conversation. We must be ready to walk with them, to find out through relationship and exploration together what their expectations, needs, and wants are. And that’s how we truly build community through the arts.
A Conversation with Outgoing Board Chair Abel Lopez
Earlier this month, we had the opportunity to speak with Abel Lopez, outgoing Chair of the Board of Directors at Americans for the Arts. As Chair since 2013, Abel has been an instrumental part of the growth of Americans for the Arts, particularly in sustaining leadership, developing goals as part of the organization’s most recent Strategic Plan, and spearheading the Statement on Cultural Equity. In this interview, Abel talks about his history with Americans for the Arts, his experience as Chair, and his excitement for the future of Americans for the Arts and the nonprofit arts and cultural sector.
Amplifying Institutional Evolution
Nearly a year ago, two members of Trinity Repertory Company’s resident acting company proposed an idea: use the Rhode Island tradition of presenting A Christmas Carol to amplify our institution’s commitment to community engagement. They dreamed of incorporating different community groups every night, connecting our audiences to work and people they might not otherwise know. Fast-forward to now, somewhere mid-run of an unforgettable Christmas Carol. Every three days a new community group steps into a show so full of heart it bursts off the stage. The results of this work are still uncountable, and yet the reverberations are already so easy to see.
We Should All Value the Artists and Their Vital Role in Our Communities
As we celebrate the holidays, I encourage you to think of all the ways artists have helped your company, organization, place of worship, community. How have artists bettered your family and your life? Think about the artist behind the public art mural as you pass by while running errands. Take a moment to listen to caroling. Take family and friends to galleries, a live music venue, or small theater production. Let’s all support these artists and community change-makers this holiday season.
Volunteers = Impact
For those who are on the ground working directly with communities, we know our work simply cannot be done without a number of partners, including donors; local, state, and federal government; other organizational partners; and of course, the children and families themselves. I’d like to shine a light on one of Pablove’s most important constituents—our volunteers—and discuss why they are so instrumental to the work that we do in the healing arts.
Ars Populi: Art of/by/for the People
When I began teaching arts management, I remember Robert E. Gard’s The Arts in the Small Community almost leaping off the library shelf at me. His insistence on the importance of the arts to all people, and of communities to the arts, resonated with me from the moment I encountered his work. I have since discovered that as a high school student in Iowa my life was transformed by a summer program he was instrumental in supporting in Wisconsin. Many themes emerge from Gard's writing, and many of my most cherished ideas, among them the role of the “arts establishment” in this work (the need to pay attention to communities) and the role of the arts council.
Enacting Change in the Performing Arts World Begins with Changing the Conservatory Culture
Twenty-five years ago American orchestras began a conversation about what would happen to excellence in performance if orchestras broadened their missions to focus on education and community engagement. The fear, unfounded, was that excellence would be compromised. The opposite was true. Today, administrators of top performing arts organizations are begging for those of us who train artists to start training like it’s the 21st century and not the 19th. More than new skills—which is certainly part of it—this requires something more difficult: a change in the mindset of musicians. We must understand we’re all in the audience development business.
Museums and Creative Aging
In the United States, 1 in 10 adults age 65 and older has Alzheimer’s dementia. As the size of the U.S. population age 65 and older continues to increase, the number of Americans with Alzheimer’s or other dementias will escalate rapidly. Although cultural institutions have created programs for this population for many years, how these programs are created—how educators are intentional in the works of art they select for the program, how much research and evaluation is put into a session, etc.—are growing and becoming more substantial. So, how are we doing it? And are these programs effective?