Blog Posts for public art network

Thank you to the many people who have been blog contributors to, and readers of ArtsBlog over the years. ArtsBlog has long been a space where we uplifted stories from the field that demonstrated how the arts strengthen our communities socially, educationally, and economically; where trends and issues and controversies were called out; and advocacy tools were provided to help you make the case for more arts funding and favorable arts policies.

As part of Americans for the Arts’ recent Strategic Realignment Process, we were asked to evaluate our storytelling communications platforms and evolve the way we share content. As a result, we launched the Designing Our Destiny portal to explore new ways of telling stories and sharing information, one that is consistent with our longtime practice of, “No numbers without a story, and no stories without a number.”

As we put our energy into developing this platform and reevaluate our communications strategies, we have put ArtsBlog on hold. That is, you can read past blog posts, but we are not posting new ones. You can look to the Designing Our Destiny portal and our news items feed on the Americans for the Arts website for stories you would have seen in ArtsBlog in the past.

ArtsBlog will remain online through this year as we determine the best way to archive this valuable resource and the knowledge you’ve shared here.

As ever, we are grateful for your participation in ArtsBlog and thank you for your work in advancing the arts. It is important, and you are important for doing it.


Ms. Jen Krava

Toolkit Developed by Artists Keeps Creatives Working During COVID-19

Posted by Ms. Jen Krava, Nov 20, 2020 0 comments


Ms. Jen Krava

“This toolkit was born out of a desire to fight despair,” shares Candida Gonzalez, artist and consultant to Forecast, a nonprofit for artists working in the public space. “I watched in disbelief as many friends all over the country lost their projects and gigs. Rather than pausing to think on alternatives, many funders’ knee-jerk response to the pandemic was to pull funding and cancel projects.” This despair birthed an idea from the team at Forecast for a toolkit created and launched in April 2020 with artists, arts organizations, presenting organizations, and others collaborating with artists in mind. “Innovation in the Time of COVID” is designed to be an ever-evolving platform that contains strategies for adapting in-person arts-based activities during the COVID-19 pandemic for everyone to share, use, and contribute to. Forecast continues to develop the toolkit based on open-source input from artists and arts organizations and examples of how they are adapting in-person arts-based projects. 

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Mr. Robert Lynch

How the Work of Americans for the Arts Is Addressing the Urgent Challenges of 2020

Posted by Mr. Robert Lynch, Nov 16, 2020 0 comments


Mr. Robert Lynch

Americans for the Arts is committed to a vision of the arts being recognized as integral to the lives of all people and essential to healthy, vibrant, and equitable communities across the nation. The work of the organization is guided by a board-approved strategic plan with the advice of our leadership councils, strategic partners, local and state arts agencies, and many other decision makers, all of whom have a stake in advancing the arts as core to transforming lives, communities, workplaces, and education systems. The urgency of this vision has never been more apparent than in 2020—amid a global pandemic, heightened focus on social justice and racial equity, a huge economic downturn, and a contentious presidential election. These issues have impacted every community across the country and devastated artists, nonprofit and for-profit creative businesses, educational systems, healthcare, and trust in government. And because of long-term systemic inequities, these challenges have more severely affected people and communities of color. In 2020, Americans for the Arts continued its commitment to our vision and planned work, while also pivoting and taking on new, urgent work like so many of our 5,000 member organizations. Here are highlights of some key areas of the new and urgent work of Americans for the Arts in 2020 that are in addition to our planned work portfolio.

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Abigail Alpern Fisch

Member Spotlight: Katrina M. Daniels

Posted by Abigail Alpern Fisch, Oct 26, 2020 0 comments


Abigail Alpern Fisch

Katrina Daniels is the Exhibition and Gallery Sales Director at the Lansing Art Gallery and Education Center, which provides public awareness, education, and enjoyment of the visual arts by promoting the works of Michigan artists. Katrina coordinates exhibitions and public art programming working directly with artists to increase engagment between them and the Lansing community. Katrina is a co-founder of ARTpath, a program developed by the Gallery and the City of Lansing to bring artwork out of the traditional gallery setting and into the public realm. ARTpath offers more accessible opportunities for the community to engage with the work of Michigan artists. Our Member Profile series features the many Americans for the Arts members doing transformative work for arts education, public art, advocacy, arts marketing, and more. An Americans for the Arts Membership connects you with this network of more than 6,000 arts leaders and gives you access to latest professional development and research.

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Julia Vogl

Making art in person with community: Is it worth the risk in a pandemic?

Posted by Julia Vogl, Sep 23, 2020 0 comments


Julia Vogl

Whenever you make public art, there are risks—usually financial. But today with monuments being challenged, politics, history, and community emotions are often also at play. Oh, and we are in a pandemic. When everything was halted in March, I fell into a depression. The prospect of making art with community, if we could do it safely, felt like a mental health salvation. Our Neighborhood Rolls became a beautification project to cover the cinder block wall at the side of a building, but primarily it was envisioned as a point of pride that, in the making, would build community-a meaningful, fun, educational, and engaging project for local kids and residents in Kingston, NY. At a time when everyone is evaluating what risks are worth taking for the greater good, maybe making art with people in public sounds like an unnecessary hazard. However, after my experience in Kingston, I would argue it was an essential action. It greatly impacted my mental health, and visibly demonstrated the importance of placemaking and tangible engagement for community in these apocalyptic times.

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Mrs. Katie Cornell

5 Tips for Implementing a Black Lives Matter Street Mural

Posted by Mrs. Katie Cornell, Sep 11, 2020 0 comments


Mrs. Katie Cornell

Across the nation, communities have taken to the street to express their feelings about the Black Lives Matter movement in paint. Public art is an effective tool for local government expression because it amplifies messages of political and social importance with a clear and powerful statement. It also brings people together, creates social understanding, and aids the healing process. That’s just what it did in Asheville, N.C. After a month of planning, on Sunday, July 19, 2020, dozens of artists and volunteers came together on behalf of the City of Asheville to create a Black Lives Matter mural in the heart of downtown. Having been through this process, I have 5 tips for arts agencies looking to serve in a similar role. I also recommend reaching out to other organizations in your area, state, or region that have played a role in the installation of a street mural project for additional insights.

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Ms. Amina Cooper

How Public Art Programs Can Join the Movement Against Police Brutality, White Supremacy, and Anti-Black Racism

Posted by Ms. Amina Cooper, Jun 10, 2020 1 comment


Ms. Amina Cooper

On May 25, 2020, Minnesota police officer Derek Chauvin brutally murdered George Floyd, an unarmed Black father accused of issuing a counterfeit $20 bill, while other police officers stood by. This tragedy, following many other recent police-involved shootings of unarmed Black men and women that have been broadcasted and protested nationwide, has sparked renewed and global visibility for the Black Lives Matter movement. This most recent wave of protests has prompted a discussion within the public art field: How can public art respond to the Black Lives Matters movement? Should it? What will we do about the public artwork that is being tagged and damaged during these protests? Public art, at its best, is an authentic reflection of our times and values. Public art should reflect the community around it, and represent the hopes, lives, and aspirations of the people in that community. What we can do as public art policy makers and administrators is uplift those voices in our communities that are calling for justice and equal protection for people of color under the law. It is time to talk about the lack of diversity within our public art commissions, artist selection panels, and our public art workforce. We need to address the elitism with which we dictate to communities which artworks are acceptable, and which persons and cultures are worth affirming with monuments and beautiful objects.

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