Blog Posts for California

Covert Curatorialism: Inverting the Landscape

Posted by Ms. Letitia Fernandez Ivins, Pauline Kanako Kamiyama, Aug 19, 2016 0 comments

As public art project managers, we walk the line between nudging artists to push their vision and practice while giving them the confidence and trust to imagine and execute a groundbreaking artwork. Trusting your own expertise and instinct—paired with an understanding of an artist’s aesthetic, studio practice and process—paves the way for an authentic and successful artwork.

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Public Art Reveals a City’s Hidden Desires

Posted by Nataly Gattegno, Jason Kelly Johnson, Aug 16, 2016 0 comments

Murmur Wall is a two-year experimental installation that offers a glimpse into the immediate future. It is an artificially intelligent, anticipatory architecture that reveals what the city is whispering, thinking, and feeling in real-time. 

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Provoke laughter, surprise and contemplation with temporary public art

Posted by Ms. Rebecca A. Ehemann, Aug 16, 2016 0 comments

“My hope is that the piece will shift viewers out of their everyday space and into a sense of wonder, make them think about things in a different way."

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The Nutcracker: All Mixed Up 2016

Posted by Angela Weber, Jun 06, 2016 0 comments

The East Los Angeles Performing Arts Academy opened as neighborhood pilot school in the Fall of 2010.  The mission of our school is to develop creative, contributing members of society through a standards-based curriculum featuring rigorous interdisciplinary instruction that is rich in the performing arts.

Our commitment to the arts led us through the process of becoming an arts Magnet school in 2014.  We are now the only arts magnet on the East side of Los Angeles.

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The Vision Thing

Posted by Mr. Brad Erickson, Jun 03, 2016 0 comments

Brad Erickson is an Americans for the Arts member and recipient of the 2016 Alene Valkanas State Arts Advocacy Award. Find out more about the Americans for the Arts Annual Leadership Arts Awards.

In 1988, as then Vice-President H. W. Bush was preparing to run for the Presidency, he found himself fending off complaints from within his own party that while he had a firm grip on the complexity of the many issues facing the nation, he lacked an overarching narrative that would tie his policy positions together in a clear and compelling way. His advisors suggested that he borrow Camp David for some time away to collect and articulate his thoughts. "Oh," the Vice-President responded dismissively, "the vision thing."

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Navigating Big Transitions with a Creative Practice

Posted by Cat Corral, May 20, 2016 0 comments

Life is about change. In less than 3 months, the youth arts organization I co-founded ten years ago will be merging into a larger organization, and my role will change dramatically. As much as this has been a thoughtful and deep process of exploring, analyzing, and talking through all the parts of this merger, there are moments when I get nervous and rely on my creative practice to help me stay grounded. At this point in my career as an arts leader, I am certain that the tools I use as an artist are critical for any leadership role.

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