Tips for Arts Organizations Engaging Tech Communities

Posted by Ms. Mariama Holman, Aug 17, 2017 0 comments

In a conversation on “How Tech Companies Think About the Arts” at the 2017 Americans for the Arts Annual Convention in San Francisco, artists and arts organization had an opportunity to connect with philanthropic representatives from Silicon Valley companies to learn and exchange ideas on how to better engage one another. The key question: How can arts organizations partner with tech companies on a more personal, individualized level—turning employees into active community arts participants?

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The Making of Trumpet Flower

Posted by Patrick Renner, Aug 17, 2017 0 comments

Trumpet Flower was a labor of love, and at times it felt Sisyphean. In this case, the proverbial boulder was a horn-shaped monstrosity crafted from wood and steel, and the corresponding mountain was a six-story building which would support this towering artwork as it twisted up from the downtown Houston main street. Not only a feat of engineering and a marvel of craftsmanship, Trumpet Flower was also a great opportunity for community engagement. Taking Renner’s popular “painting party” activity to the next level, Flying Carpet invited the public to come make their mark on the sculpture, and Houstonians turned out en masse.

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Amiskwaciw Wâskâyhkan Ihtâwin :: Community Engagement: Genius Loci of Place

Posted by Destiny Swiderski , Aug 17, 2017 0 comments

For an artist, the initial concept for a public art project can be an exciting experience followed by anxious moments of uncertainty. Thinking of a concept that speaks to the public, while reflecting the values of your own artistic expression, is a challenging task. Questions preoccupied me as I conceptualized and created Amiskwaciw Wâskâyhkan Ihtâwin, a three-dimensional gateway/mural located in downtown Edmonton, Alberta. My awareness of Edmonton’s historic role as a gathering place for Indigenous peoples provided an essential clue to uncovering the essence of this special park.

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Prototyping: Again, with feeling!

Posted by Daily tous les jours, Aug 17, 2017 0 comments

An iterative process is often useful, especially in the context of interactive public art: the collective public has a genius ability to subvert or repurpose objects and installations from their intended purpose. It can therefore be very helpful to periodically get something into the hands of someone who hasn’t been immersed in the project since its conception to see what they will do with it. Workshops with the communities that will ultimately be served by a project can serve as valuable de facto prototyping sessions as well.

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Maine Arts Leadership Initiative: Quality Arts Education for All Learners by Focusing on Educators Learning

Posted by Ms. Argy Nestor, Aug 16, 2017 0 comments

I am exhausted after last week and thrilled about the accomplishments that happened at the seventh Maine Arts Leadership Initiative (MALI) Summer Institute. Almost 70 teaching artists and pre-K through grade 12 visual and performing arts teachers spent three intense days in a collaborative learning environment. I am proud of these educators who challenged themselves on the topics of teaching, learning, and assessment. I am again reminded of the value of bringing arts educators together to form a community and delivering meaningful professional development!

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Part to Part: Building “Under Magnitude”

Posted by Marc Fornes, Aug 16, 2017 0 comments

Under Magnitude is a two-story tall permanent structure suspended in the atrium of Orlando's Orange County Convention Center that carves a three-dimensional impact into an otherwise vast space. The story behind the design and construction of the project is that it further evolves my invention of “Structural Stripes”: the fundamental premise of the studio to unite surface, skin, and space into a holistic and never-before-seen system.

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