Why Does it Matter?

Posted by Ms. Maryo Gard Ewell, Jul 14, 2017 0 comments

Content sponsored by University of Massachusetts Amherst Arts Extension Service.

Identity, cultural democracy, excellence, justice—just a few of the “whys” behind our work. We have many spiritual ancestors who can help us articulate our “why” because, as discussed in Fundamentals of Arts Management 6th edition, this work has been weaved throughout our country’s history. I urge us all to take to time to connect with our own sense of “why.”

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Finding One’s Path Through Music

Posted by Sarah Johnson, Jul 20, 2017 0 comments

At Carnegie Hall, we see our Social Impact programming as an integral part of our mission, to celebrate the artistry in all of us and explore the most inventive ways that music can play a role in people’s lives. We believe that music is a human right and an innate capacity, and we know that it’s part of our responsibility as cultural citizens to do as much as we can to acknowledge, nurture, and encourage musical discovery and expression, so that we can hear and learn from people’s perspectives and voices. 

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At the nexus of artists, mission, context, place, and communities

Posted by Ms. Cath Brunner, Jul 19, 2017 0 comments

Making the case for an expanded definition of public art depends on working closely to a nexus of mission, context, place, and the communities most impacted by the project and/or most in need of the services. We do not have to be constrained by preconceived or limited notions of what public art is or can do—or can fund. We can confront inequities in our world, imagine new possibilities, and we can support artists’ interventions and actions that will lead to profound changes.

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Recentering the Artist

Posted by Kevin Seaman, Jul 18, 2017 0 comments

Even within our own sector, artists are expected to forgo compensation for the greater good—building a system of support for social service agencies and nonprofits that excludes the arts, and specifically individual artists. We all know that artists, not organizations, make art—yet why is it so often like pulling teeth to solidify artist fees? And why are there so few funding opportunities for individual artists?

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Advocate: At All Levels—At All Times—For All People

Posted by John Schratwieser, Jul 17, 2017 0 comments

Day in and day out, we work on behalf of so many that we may never meet. Whether a student in an art class or school chorus, a senior citizen in a quilting guild, a potter fashioning pieces for an Empty Bowls food pantry fundraiser, or a writer or composer bringing important subject matter to the page or the stage—they are relying on us to move the needle in public discourse about the power of the arts. 

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