The Arts Add Powerful Voice and Vibrancy to Corporate America

Posted by Robert L. Lynch, Apr 29, 2016 0 comments

Fifty years ago, David Rockefeller, Chairman and CEO of the Chase Manhattan Corporation, gave an address to the National Industrial Conference Board (now The Conference Board). It was The Conference Board’s 50th anniversary, and his words changed how the business community viewed the arts world.

Rockefeller has always been a visionary who understood a half century ago that the arts could go a long way towards helping businesses as well as humanity. He called for businesses to assume a much larger role in supporting the arts for the many ways that they improve both the business and the community. He helped lead the formation of the Business Committee for the Arts (BCA)—since merged with Americans for the Arts—which has encouraged, inspired, and paved the way for businesses to support the arts in the workplace, in education, and in the community.

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A New Trifecta for the Arts

Posted by Christen Boone, Apr 29, 2016 0 comments

Louisville’s passion for the arts is hardly a new phenomenon. We pride ourselves on our eclectic, world-class arts community that is ever evolving. Fund for the Arts recognizes that as the united arts fund field continues to evolve, we must stay ahead of the curve by pushing the boundaries of what’s possible, driving new initiatives and sparking new collaborations while honoring our rich history of supporting a wide array of arts institutions. As we move forward, Fund for the Arts is focused on how the arts can be a catalyst for systemic change–a change that brings about a stronger, more inclusive and vibrant city.  

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Reflections on Resilient Arts Leadership

Posted by Mr. Abraham Flores, Apr 29, 2016 0 comments

This week we heard over a dozen emerging leaders reflect on this year’s Arts Leadership Preconference theme: “Impact Without Burnout: Resilient Arts Leadership from the Inside Out”. Echoed in many of the blogs is the need and desire for cross-generational leadership, mentorship and professional development (positioning everyone to teach and advance the field), the need to intentionally address diversity, and the importance of “soft-skills”.

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Vulnerability is the New Confidence

Posted by Lara Smith, Apr 29, 2016 0 comments

Arts leaders must be comfortable with risk and uncertainty to be successful. Actually, I think this is true for leaders in every industry, but especially in the arts. Embracing vulnerability can be challenging for any leader, but especially a young one. Brene Brown, a preeminent researcher on vulnerability defines it as “uncertainty, risk and emotional exposure.” She has this to say: “Vulnerability is the absolute heartbeat of innovation and creativity”; “There can be zero innovation without vulnerability”; and “Invulnerability in leadership breeds disengagement in culture.”

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Notes from the Field

Posted by Ms. Margaret Weisbrod Morris, Apr 28, 2016 0 comments

I am in the field. Literally. A wheat field in McPherson County, Kansas to be exact. There’s no cell service and no other human being in sight, so I feel seriously out of place. I am far outside of my comfort zone. Other than the hundred head of cattle expectantly staring at me over a wire fence behind me, my only companion is Stretch, the Chinberg’s farm dog. Used to the solitude, he keeps eagerly bringing me junk – a stick, discarded flip-flop with teeth marks, a chewed rabbit foot – canine enticements to friendship. There is a hot, skin-stripping wind blowing chaff onto my cheeks, getting stuck in my hair that falls into the palette I have set out. The starkness of this scene inspired my courage to capture the power of this hot, solitary land. I am here because of, and in spite of, the wind. It drives my thoughts.

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They Should’ve Asked a Folklorist: New Horizons for State Folk Arts Programs

Posted by Adrienne Decker, Apr 28, 2016 0 comments

Following the 1974 launch of NEA support for state folklife programs, folklorists have led state arts agencies’ efforts to serve traditional artists of the nation’s rural, occupational, and immigrant communities. What are the challenges facing state-level folk arts coordinators in 2016?

To gain insight, I consulted three emerging leaders in the field: Lilli Tichinin, Program Coordinator of Folk Arts, Art Projects and Accessibility for New Mexico Arts; Jennifer Joy Jameson, Folk and Traditional Arts Director for the Mississippi Arts Commission; and Josh Ehlers, Assistant Folklorist for the Oregon Folklife Network.

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